Show Notes
Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness, in the fourth episode of series two of Modern-ish Poets.
To listen series one of Modern-ish Poets, and all our other Close Readings series in full, covering literature from Ancient Greece to the present day, sign up here:
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Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in November 2020.
Further reading on MacNiece in the LRB:
Ian Hamilton: https://lrb.me/hamiltonmacneicepod
John Kerrigan: https://lrb.me/kerriganmacneicepod
Marilyn Butler: https://lrb.me/butlermacneicepod
Nick Laird: https://lrb.me/lairdmacneicepod
More from Modern-ish Poets: Series 2
On the centenary of the publication of Eliot’s ‘The Waste Land’ in book form, Mark and Seamus finish the second series of Modern-ish Poets by considering how revolutionary the poem was, the numerous meanings that have been drawn out of it, and its lasting influence.
Seamus Perry and Mark Ford discuss the lives and works of Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic, hedonistic poetry, freeing themselves from the puritan American tradition.
Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through her damaged and marginalised characters.
Seamus Perry and Mark Ford continue their series with a look at the life and work of W.B. Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’.
Seamus Perry, Mark Ford and Joanne O’Leary discuss the life and work of Emily Dickinson—her dashes, death instinct and obliquity.