All The Best

mix tape

All The Best

Show Notes

What would the mixtape of your life sound like? What were the key moments that you think made you the person that you are today? In this episode, students from the University of Melbourne share some of the key moments that have defined their lives or the lives of the subjects they interviewed.

The First Champion by Erielle Sudario Are you an anime fan? Have you heard of Beyblade? In this story, Jon recalls to Erielle Sudario the moment he became the first Beyblade champion in Victoria and how the game has evolved 20 years later,

Producer: Erielle Sudario Supervising Producer: Thomas Phillips Featuring: Jonathan Ng Music and SFX: Pixabay; NoCopyrightSounds; Shiny Tech by Kevin MacLeod.

Beyond Dessert Virality by Megan Nicole Yin How do you feel about social media-driven food trends? In this delicious story, Megan explores the nexus between virality and desserts in the city of Melbourne. Producer: Megan Nicole Yin Supervising Producer: Thomas Phillips Featuring: Jiwoo Kim, Callista Ann, Jerry Naing Music: Bodytonnic; Vacant Distillery SFX: Connie; Carisa Ong

A Soccer Club Called Home by Sihan Ren Home is where the heart is ... or, in the case of this story, it's where the football is. Sihan tells a beautiful story about belonging and finding your place.

Producer: Sihan Ren Supervising Producer: Persephone Waxman Featuring: Mark Baker Music and SFX: Blue Dot Sessions and BBC Sound Library

Streaming by Hope Kloppenburg Hope Kloppenburg reports on her own experience as a streamer who struggles to find balance between superficiality and connectivity within her streams and moves towards fostering in-person relationships. Listeners are advised that this episode contains coarse language and profanity.

Producer: Hope Kloppenburg

These stories were produced in partnership with the Centre for Advancing Journalism and the University of Melbourne. Special thanks to Louisa Lim, Thomas Phillips, Persephone Waxman, Dan Semo and Mell Chun. You can find more student work from this series over at their podcast, The Yarn.

All the Best Credits Host: Gabriella Accaria Executive Producer: Melanie Bakewell Programming & Community Coordinator: Catarina Fraga Matos Production Manager: Kwame Slusher Digital Trainee: Imogen Brosnan Theme Music composed by Shining Bird Episode Title: Jess Lobb And a special shout-out to all our volunteers!

See omnystudio.com/listener for privacy information.

More from All The Best

Oct 20, 2026

"...as an act of justice doing and expressing how much I care for them, and I guess also the sacredness of all life in witnessing and experiencing multiple genocides and affrontations of, like, what's happening on these lands I think navigating grief as an act of love maybe gave me a sense of autonomy and being able to move through with a, with a bit more grace and not letting it subsume me all of the time." - Shareeka Helaluddin

Oct 13, 2026

There is this Tolstoy quote from Anna Karenina, "All Happy families are alike; each unhappy family is unhappy in its own way." I've always struggled with this binary. This idea of happiness or unhappiness as somehow being fixed states. No nuance. I think real families, ones outside Russian fiction, exist on a more complex spectrum.

Oct 6, 2026

This week's Jesse Cox Audio Fellowship takes us outside.

Sep 29, 2026

This week we are featuring our first story from our Jesse Cox Audio Fellowship 2026! More than 15 Years ago, Jesse Cox co-developed an incredible audio narrative program on fbi.radio called All The Best. JCAF is an audio mentorship program, pretty one-of-a-kind, championing the kind of work and spirit our show's co-founder upheld and honouring his legacy.

Sep 22, 2026

Sooooo ... the best way to think of this episode is a bit like Mary Shelley's Frankenstein. But instead of there being a bereaved scientist obsessed with resurrection, we have a monster of a story stuck together from different audio body parts made by audio makers from all over the world. Our Programming and Community Coordinator Catarina Fraga Matos breaks down the way the audio corpse works:

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