
Summary
A recent exploration into the world of Midwest emo reveals its deep emotional resonance and intricate musicality, sparked by a viral YouTube video titled "Midwest Emo on Crack Riff." The video features guitarist Yvette Young, whose unique sound captivated the hosts of the Switched on Pop podcast, prompting a discussion about the genre's origins and its evolution over the years.
Midwest emo, which emerged in the early 1990s, is characterized by its intricate guitar work and emotional lyrics. Key bands like American Football and Braid are highlighted for their influence on the genre's signature sound, which combines shimmering guitar tones with introspective lyrics. Young's music exemplifies this style, showcasing a blend of melancholy and optimism that resonates with listeners. The hosts delve into the technical aspects of the genre, including guitar tunings and rhythmic complexities, emphasizing how these elements contribute to its emotional depth.
The conversation also touches on the legacy of American Football, whose self-titled debut album has become a cornerstone of the Midwest emo revival. Band member Mike Kinsella reflects on the unexpected impact of their music, acknowledging the complexities of being labeled as pioneers of a genre they did not consciously set out to create. As the discussion unfolds, it becomes clear that the genre continues to evolve, with new artists drawing inspiration from its foundational sounds while pushing the boundaries of musical expression.
Show Notes
A few months ago, Nate came across a glittering guitar riff unlike anything he had ever heard before; it managed to perfectly balance careful optimism with plaintive melancholy, stirring the spirit. That melody, played by guitarist Yvette Young, was a shining example of the “midwest emo” sound, a genre pioneered by bands like American Football, Gauge, and Braid. On this episode of Switched On Pop, Nate introduces Charlie to all things midwest and emo, speaking with Young and American Football frontman Mike Kinsella in the process.
CREDITS
Reanna Cruz: Producer
Iris Gottlieb: Illustrator
Charlie Harding: Host, Executive Producer
Dion Lee: Art Director
Brandon McFarland: Audio Engineer
Nick Ripps: Video Editor
Nate Sloan: Host
Lissa Soep: Editor
Zach Tenorio & Jocie Adams: Theme Composers
Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions.
Links: Newsletter
Songs discussed:
Gauge – Blunchlox
Braid – Never Will Come For Us
Joan Of Arc – The Hands
American Football – Never Meant
American Football – Stay Home
Covet, San Holo – shibuya (ft. San Holo)
Tiny Moving Parts – Always Focused
Oliver Houston – The Dork Ages
American Football – Man Overboard
American Football – Bad Moons
Learn more about your ad choices. Visit podcastchoices.com/adchoices
More from Switched on Pop
The music of global girl group KATSEYE might be confusing on first listen. A less-generous read might consider their songs to be rudimentary: the lyrics are mostly nonsense, the instrumentals evoke lesser 2010s pop songs, and the aesthetic can’t decide whether it’s targeted to children or adults. However, maybe the nonsensical nature of KATSEYE is also… the point? And maybe that point is tethered to early surrealist movements of the early twentieth century?
For the 500th(!) episode of Switched on Pop, Charlie and Nate try to answer the question that has stumped critics and philosophers since the dawn of sound: does bad music exist? Their quest to answer something so nebulous leads them through the annals of taste, and in the process, they recruit several other critics and journalists to give their two cents on the topic. Can things actually be bad, and if so, how do we define them?
One year after the release of her twelfth studio album The Life of a Showgirl, Taylor Swift is back with an encore. Specifically, The Encore, four tracks that have polarized critics and Swifties alike, from the country-esque number one hit “Patient Zero” to her ode to married Ohioan bliss, “Cleveland!” For some, the new songs lean into Swift’s worst writing impulses. But for others, including our hosts (and resident Swiftologists) Charlie and Nate, the tracks call back to earlier eras of Swift’s songwriting, and perhaps evoke more nuanced discussion about what it means to release music as the biggest artist in the world. The question is: are we ready for it?
Five years after her first appearance on Switched on Pop, Carly Rae Jepsen returns to the podcast to talk all things Day and Night, her latest album. Born out of Swedish disco, big emotion, and substantive life change – including becoming a wife and a mother – the double album is a tour through the organic and the synthetic, both in equal measure. For Charlie and Nate, this is a full circle moment, and along with discussing the record, the two talk to Jepsen about the origins of the show, her songwriting process, and what it means to be such an important champion of pop music.
Swedish singer-songwriter Tove Lo’s new album ESTRUS can be summarized in the opening lyrics of the album’s closing track, “source of life”: “Feral, fragile, numb, ecstatic / sad, euphoric, catatonic / Horny, repulsed, proud and shameful / Good, demonic, contradictions.”