Show Notes
On the optimistic ‘Hikari’, a rolling bassline drives the track forward with an infectious low-end pulse that will be difficult to ignore on the dancefloor. A stretched vocal sample drifts across uplifting melodic keys, creating a genuine feeling of space and freedom. In Japanese, hikari means “light”, a word often associated with hope, positivity and clarity. It’s a fitting title for a track that channels those exact qualities.
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The title track ‘Run For Cover’ taps into the wide-eyed escapism of the mid-’90s without slipping into nostalgia. Psychedelic details flicker across the drums like LED trails in a dark room, while a restless walking bassline gives the whole thing a wonderfully physical pull. Elements drift in and out of focus, resisting an obvious genre tag while maintaining an easy, heads-down momentum. It’s progressive music in the literal sense: constantly moving, never particularly interested in announcing where it’s going next.
On “Stupa”, the mood opens outward. There’s an unmistakable Balearic quality to its sun-warmed percussion and serrated bassline,a groove that immediately suggests open-air dancefloors and late-afternoon light. A woozy synth gradually sends proceedings into more narcotic territory, while soft vocal fragments, keyboard flourishes and flashes of guitar keep one foot planted somewhere recognisably human. Nothing is hurried or overplayed. Instead, Warren lets each element breathe, resulting in the kind of patient, transportive dance music that comes from knowing exactly how little you need to do.
Colombian DJ NAJEYS has developed a sound rooted in the melodic and hypnotic strains of progressive house. With a background in vocals and percussion, she began exploring electronic music in 2016, developing an approach to DJing that balances driving rhythms, atmospheric textures and emotive melodies.
Recording of Karl Pilbrow's set from Balance Croatia 2026.
Recording of Powel's vinyl-only set from Balance Croatia 2026.