
Show Notes
Tumbbad turns an ancient god, a permanently rain-soaked village and a hidden hoard of gold into one extremely bad inheritance. FolknHell heads to India for a beautifully grubby tale of greed, family and what happens when somebody works out how to exploit the monster.
For our first trip into Indian horror, FolknHell descends into Tumbbad, Rahi Anil Barve's 2018 tale of buried gods, cursed treasure and one family's remarkable inability to leave well enough alone. Vinayak Rao discovers that beneath the crumbling family estate lies something ancient, hungry and surrounded by gold. Better still, he discovers a method for getting at the money without being eaten. At which point an ancestral curse starts looking suspiciously like a reliable income stream. We talk about the film's extraordinary rain-soaked production design, its womb-like descent into the earth, those wonderful ancient locks, the increasingly unpleasant Hastar and a story in which greed passes from one generation to the next with alarming efficiency. There is also the important folk horror question. A threat tied to one place? Absolutely. Something literally living in the land? Very much so. An ancient power surviving into the modern world? This one barely makes us get the checklist out. All three of us landed on 7/10. Not perfect, and the first section could perhaps move rather faster, but this is dark, strange, beautifully made horror that deserved to be much easier to find when we originally recorded the episode. Spoilers throughout. Watch the film first unless you are happy having the treasure uncovered for you.
FolknHell Verdict Yes, Tumbbad is folk horror, and unusually it barely requires an argument. The threat belongs to Tumbbad, comes from beneath its earth and reaches backwards into an ancient belief system that the Rao family really should have left alone. More importantly, it is a very good film. Atmospheric, grotesque and visually terrific, with the pleasingly nasty idea that the monster can be managed right up until human beings decide they can improve the system.
Scores Andy Davidson: 7/10 Dave Houghton: 7/10 David Hall: 7/10 Total: 21/30
Links To Add 🔗 Visit the FolknHell website for more episodes and blog posts 🔗 FolknHell Film Page for Tumbbad: https://www.folknhell.com/tumbbad-review 🔗 FolknHell Transcript Page: https://www.folknhell.com/blog/tumbbad-transcript 🔗 FolknHell Editorial Article: tbc 🔗 YouTube episode: https://youtu.be/ZjuhALyNgss?si=n7653UgX58hMl6Ej 🔗 IMDb: https://www.imdb.com/title/tt8239946 🔗 Rotten Tomatoes: https://www.rottentomatoes.com/m/tumbbad 🔗 Wikipedia: https://en.wikipedia.org/wiki/Tumbbad
Content Warning Spoilers throughout, with discussion of child death, violence, body horror and flesh-eating. Folknhell is the folk horror podcast where Andy Davidson, Dave Houghton and David Hall dig into strange cinema, argue about whether it really counts as folk horror, and score every film out of 30.
Add your own score and comments about the films at https://www.folknhell.com/scores
Find us on the socials: YouTube: @folknhell Facebook: FolknHell X: @FolknHell Bluesky: FolknHell
See acast.com/privacy for info. Hosted on Acast. See acast.com/privacy for more information.
More from FolknHell
The Blair Witch Project became a phenomenon by convincing audiences there might really be something in the woods. FolknHell goes back to Burkittsville to ask what remains once the marketing fog clears, whether the film still works, and whether a few bound twigs are enough to make it folk horror.
FolknHell heads to a remote Devon church for Elliot Goldner’s found-footage horror The Borderlands, also known as Final Prayer. There are Vatican sceptics, far too many explanations about cameras, an older belief system under the floorboards, and an ending that finally remembers how horrible all of this ought to be.
Charlie Robb’s Loner (2025) drops a lonely, deeply unreliable vlogger into the Northumbrian woods and lets social-media fakery collide with something that may be older, hungrier and considerably less interested in Wi-Fi. FolknHell asks whether this is folk horror, horror-comedy, or folk horror about folk horror.
Mark Jenkin’s Rose of Nevada gives FolknHell a lost fishing boat, a thirty-year time slip, suspiciously dead fish and a surprisingly strong case for Cornish folk horror. Andy, David and Dave agree on the film. The timeline is another matter entirely. Spoilers throughout. Watch the film first unless you fancy sailing directly into the temporal fog.
FolknHell tackles Tobe Hooper’s The Texas Chain Saw Massacre (1974), its still-shocking violence, suspicious barbecue and surprisingly solid claim to American folk horror. Also, this is Take Two because somebody forgot to press record. Spoilers throughout. Watch the film first if you would rather enter the farmhouse without knowing exactly where the hooks are.