Show Notes
Composers Chris Roe (Bad Apples, The Salt Path, Trigger Point, After Love) and Paul Saunderson (Earth, Human, Evolution, Trying, Fightland) sit down together to talk about how their scores actually get made. Chris explains how Bad Apples arrived as a log line with a Bartók reference attached, why he built the score around recorders, baritone sax and a tubax only two people in London can play, and how an iPhone recording made by a flautist at home survived into the final mix. Paul explains ho...