Show Notes
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Van and Lyle are joined by Sandipto Dasgupta—legal scholar, political theorist, and possessor of an encyclopedic knowledge of Congolese politics, the Non-Aligned Movement, and postcolonial political economy—to discuss Johan Grimonprez’s Soundtrack to a Coup d’État. The film blends archival footage, radical history, and one of the most inspired uses of diegetic sound you’ll ever encounter, tracing the assassination of Patrice Lumumba against a global backdrop of jazz diplomacy, Cold War intrigue, and the contested promises of decolonization. Sandipto walks us through the tangled histories of the Congo’s natural resources, the role of Dag Hammarskjöld (depicted here as something of a willing instrument of U.S. imperial aims), and the African musicians whose performances frame the story. The conversation threads Lumumba’s fate through the rise of the Non-Aligned Movement, Third Worldism, and the New International Economic Order, in turn connecting the film to works like Adom Getachew’s Worldmaking After Empire and Vincent Bevins’s The Jakarta Method. Together, they explore how Soundtrack captures both the intoxicating possibilities of cultural exchange and the brutal realities of a world order determined to foreclose them. Further Reading Sandipto’s Website The Jazz Ambassadors – PBS Worldmaking After Empire by Adom Getachew The Jakarta Method by Vincent Bevins My Country, Africa: Autobiography of the Black Pasionaria by Andrée Blouin Teaser from the Episode Soundtrack to a Coup d’Etat Trailer
More from Bang-Bang Podcast
From the vault! Re-releasing one of our earliest and most popular episodes, with antiwar veteran and organizer Alexander McCoy. New episode coming next week. ✌️ “When I understand my enemy well enough to defeat him, then in that moment, I also love him.” So begins the 2013 film adaptation of Orson Scott Card’s classic sci-fi novel Ender’s Game. Neither achieving box office nor critical success, the movie still evokes a wide range of reactions. Especially when it comes to its ambiguous relationship to the original text. Van and Lyle have fellow vet and strategist Alexander McCoy on the show to debate their competing reads. Along the way, they come to agree that certain insights gleaned from the cinematic rendering might be at odds with Card’s politics. Ranging from the ultimate lovelessness of war to the emptiness of any strategy unharnessed from justice and peace. Alex on Bluesky: https://bsky.app/profile/alexandermccoy.bsky.social Further Reading “A Primer on Orson Scott Card and the Ender’s Game Controversy,” by Anna Silman The Internationalists, by Alexander Ward “The Great Humbling,” by David Klion “Four Futures,” By Peter Frase Strategy and Conscience, by Anatol Rapaport Ender’s Game Trailer Teaser From The Episode
Ryan Miller, the next on the show’s fellow veteran lineup, was a Marine in Okinawa from 1998 to 2002, spent years in About Face: Veterans Against the War, helped Oakland decriminalize plant medicines in 2019, and now works as a therapist in psychedelic integration. He joins us to discuss Bonni Cohen and Jon Shenk’s film documenting three special operators from SEAL training through Afghanistan to Iraq to a clinic in Mexico, where ibogaine and toad venom do what sixty pills a day could not. For Lyle the film’s real subject is a trauma apparatus built to repair faulty equipment rather than heal people (one SEAL is sent to the military’s brain-injury center, patched up, and returned for four more deployments). As the scholar Nadia Abu El-Haj has argued in Combat Trauma, PTSD was popularized by Vietnam Veterans Against the War in rap groups that turned pain into politics. As the decades followed, this promising origin story nonetheless raced toward an endpoint constituted—in Ryan’s words—by psychedelic-assisted stormtroopers. Van invokes Fanon’s French torturer, begging his psychiatrist for a way to sleep at night and keep his job. Then there is the narration itself, where the enemy appears only as bad guys, terra nullius in uniform. No Afghans, no Iraqis, not even Mexicans in a film set half in Mexico. The one line that breaks the frame, a SEAL wondering whether we’d have a military at all if we didn’t abuse children, lasts no more than a second. Further Reading and Listening Ryan Miller’s therapist profile Combat Trauma by Nadia Abu El-Haj “Can we heal wartime trauma without confronting the real causes of war?” by Lyle Humane: How the United States Abandoned Peace and Reinvented War by Samuel Moyn Palo Alto: A History of California, Capitalism, and the World by Malcolm Harris The Will to Change: Men, Masculinity, and Love by bell hooks “Colonial War and Mental Disorders” from Frantz Fanon’s The Wretched of the Earth Bang-Bang’s Netflix’s Marines episode w/ Sam Carliner Bang-Bang’s Combat Obscura episode Teaser from the Episode In Waves and War Trailer
This is a free preview of a paid episode. To hear more, visit www.bangbangpod.com
This is a free preview of a paid episode. To hear more, visit www.bangbangpod.com
This is a free preview of a paid episode. To hear more, visit www.bangbangpod.com