The Golden Hour

Ricky Martin’s Dope | The Golden Hour #160 w/Erik Griffin & Chris D'Elia

The Golden Hour

Show Notes

The guys talk about growing up on shows like The Fresh Prince of Bel-Air, what those kinds of sitcoms meant to different audiences, and how that ties into their friendship and the tone of the podcast. They also get into the whole heat-versus-cold debate, comparing Texas summers to frigid winters and admitting they are basically “inside people” who care more about a cozy house than a big yard. They also discuss Austin versus Los Angeles as comedy cities, breaking down why LA can be brutal for new comics, what the Austin scene looks like now with spots like the Mothership, Creek and the Cave, and Helium, and how hard it can be to break into those rooms. On top of that, they talk about what it would really mean to move their families, where they could realistically see themselves living, and how different that choice feels once you are already established in comedy. Get this episode AD FREE + 2 PATREON ONLY episodes/month only at https://patreon.com/thegoldenhourpodcast Quince - Give and get timeless holiday staples that last this season with Quince. Go to http://quince.com/golden for free shipping on your order and 365-day returns. DraftKings - Download the DraftKings Sportsbook app and use code GOLDEN. That’s code GOLDEN, bet five bucks and get $200 in bonus bets if your bet wins. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Erik is back from the premiere of Behemoth!, Tony Gilroy’s new movie starring Pedro Pascal, and tells the story of a 20-year-old extra asking Pedro if he’s “been in stuff.” Chris and Erik also break down a TikTok dating coach whose advice includes carrying a dad joke book into Barnes & Noble, Erik explains how he ended up four books deep into an audiobook series about a house full of horny monsters, and Rick Glassman calls in mid-show. Plus: blocking haters vs. hiding them, the Flagrant fallout, how to become a bestselling author, Erik’s suit battle with Rachel, Harry Potter, Dan Brown, and Charlie and the Chocolate Factory.

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Chris and Erik talk about SiriusXM turning the Raw Dog channel into Sebastian Maniscalco’s channel and why comics shouldn’t be blaming Sebastian for getting cut, a Russian barbershop haircut in New York, how New York and LA never fully bounced back from Covid, gas prices, Trump’s comments about Los Angeles and San Diego, why some politicians won’t do long-form podcasts, the viral cook-your-own-steak restaurant, whether everything is really more expensive, creepy bedtime prayers, kids in the bathtub, how having kids rewires your brain, intrusive thoughts, Jeremy Renner wishing he had his bow, a P Diddy moment at the Tropic Thunder wrap party, upcoming tour dates, and much more!

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Chris and Erik get into casino towns in Oklahoma, whether the casino is as guilty as the degenerate gambler, and why sex work is the one business where the customer is always wrong. They review Primetime, Resident Evil and Backrooms, rave about Robert Pattinson as Chris Hansen, and pick apart Monster's take on Lizzie Borden. Plus political yard sign season, Elliot Page's latest magazine cover, how the country flipped its opinion on Bill Clinton and Monica Lewinsky, Matthew McConaughey and Woody Harrelson's new show Brothers, a Harry Mack freestyle that will not end, the Guinness record for longest freestyle, AI scam calls, and an insurance company calling home about an Uber crash that never happened.

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Chris and Erik open with Bitcoin regret and a time machine dilemma: kill Hitler, or buy 10,000 Bitcoin at a dollar? Erik recaps his weekend at Mohegan Sun, from a 75-minute massage that went wrong in the first few minutes (and what the protocol is for walking out of one) to a craps table full of old-school Italian guys straight out of Casino, passing the dice to Charlie. Chris explains "Bond," the secret eighth day of the week. The guys also get into The Handmaid's Tale and why some true stories, like Girl in the Basement, maybe shouldn't be made into movies.

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