
Show Notes
Dan Simmon's 1989 science-fiction novel is acclaimed for its unique structure, references, and style. We take a closer look at how it interrogates our expectations of genre to explore a complex host of themes. Thank you to Chris Marlton for coproducing this episode. Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store: Hyperion Additional Resources: Throwback Thursday: The Mind-Altering Scope of Dan Simmons' Hyperion Cantos Better to travel hopefully: Dan Simmons's Hyperion Dan Simmons World-class maker of worlds Dan Simmons. By: Shindler, Dorman T., Writer (Kalmbach Publishing Co.), 00439517, Feb2001, Vol. 114, Issue 2 THRALL, J. H. (2014). Authoring the Sacred: Humanism and Invented Scripture in Octavia Butler, Kurt Vonnegut and Dan Simmons. Implicit Religion, 17(4), 509. Shea, B. (2015). Evolution and Neuroethics in the Hyperion Cantos. Journal of Cognition & Neuroethics, 3(3), 139. The one huge problem with Dan Simmons' sci-fi mystery Hyperion Eschatology and Pain in Dan Simmons' Hyperion Senior, W. (2012). Dan Simmons's Hyperion Cantos: The Fantasy Within. Hungarian Journal of English and American Studies (HJEAS), 18(1/2), 213-226.
More from Supercontext: an autopsy of media
Hellbender's 1997 album was the final and little-known release by a group of young men who would go on to do plenty more than punk rock. So why did it get a remastered re-release 25 years later, and why is it still Chris's favorite record? We talk about the band, the recording, and what emo themes live in the literary, haunted lyrics. Sources https://deadbrokerekerds.bandcamp.com/album/con-lim-n
This 2023 Netflix movie directed by David Fincher was either a stunning technical tour-de-force or a slick bit of over-processed product. (Maybe it was both.) We talk about how the filmmakers paid attention to every detail of this visceral revenge thriller, and why that didn't connect with as big an audience as you might think. Sources: https://www.screendaily.com/features/david-fincher-and-andrew-kevin-walker-on-creating-hitman-thriller-the-killer/5188929.article https://filmmakermagazine.com/124199-interview-cinematographer-erik-messerschmidt-david-fincher-the-killer-handheld/ 'The Killer' Q&A Fincher & Fassbender & Rian Johnson 15th Nov 2023 https://mubi.com/en/notebook/posts/hardly-working-david-fincher-s-the-killer https://www.pastemagazine.com/movies/david-fincher/the-killer-review https://www.indiewire.com/features/craft/the-killer-editing-michael-fassbender-david-fincher-netflix-1234922058/ https://www.dazeddigital.com/film-tv/article/61273/1/david-fincher-on-filmmaking-fassbender-the-smiths-twisted-comedy-the-killer https://variety.com/2026/film/news/netflix-dan-lin-wont-work-with-directors-who-want-theatrical-1236768048/ https://www.nytimes.com/2021/01/01/movies/david-fincher.html?eafs_enabled=false https://www.theguardian.com/film/2023/sep/03/the-killer-review-terrific-david-fincher-thriller-about-a-philosophising-hitman https://variety.com/2023/tv/news/netflix-top-10-ratings-12-1235806179/ https://www.nytimes.com/2023/11/09/movies/the-killer-review-fincher.html?eafs_enabled=false
This horror anthology launched in 2018 and has been lauded for its storytelling, genre experimentation, and charming nostalgia, while dealing with violence, sadness, and the constant human struggle between good and evil. We talk about the creative team's intentional and personal process, and why we get a good vibe from those fellas. Sources: https://www.comicsbeat.com/interview-w-maxwell-prince-ice-cream-man/ https://www.hollywoodreporter.com/movies/movie-news/ice-cream-man-movie-wednesday-1235992798/ https://comicsxf.com/2020/07/02/writer-w-maxwell-prince-on-dropping-cameron-stewart-his-ice-cream-man-plans-and-remaking-the-world/ https://chachor1.medium.com/an-interview-with-w-maxwell-prince-8dde9486df27 https://strangehorizons.com/wordpress/non-fiction/ice-cream-man-by-w-maxwell-prince-martin-morazzo-and-chris-ohalloran/ https://imagecomics.com/features/ice-cream-man-you-scream-monsters-feature https://www.nytimes.com/2022/10/24/arts/halloween-comics.html Staff. (2018, April 30). Comics Reviews. Publisher's Weekly Review. Seamas O'Reilly. (2019, September 14). The best graphic novels so far of 2019; Ice cream horror, hardboiled crime, LA dreams and the best film never made. The Irish Times. https://slowburnhorror.com/2022/12/15/what-is-anthology-horror-and-why-i-love-it/ https://www.thepopverse.com/the-massice-ice-cream-man-interview-with-w-maxwell-prince-and-martin-morazzo-youve-always-wanted
This revisionist Western is a mix of fictional and historical narratives about how law, society, and America came to South Dakota in the late 1800s. We talk about how the show's creator, David Milch, got from Ancient Rome to the Dakota gold rush, and all the lines he crossed to get there. Sources Deadwood, Generic Transformation, and Televisual History by Allison Perlman
In 1993, our late, lamented hero Steve Albini wrote this gross and profane takedown of the music industry, and we've been thinking about it ever since. We try to follow the evolution of Albini's attitude about how music is distributed while also checking in on David Byrne, Marxist theory, and Tik Tok. Sources https://thebaffler.com/salvos/the-problem-with-music