Show Notes
Ready for action, nip it in the bud, we’re never relaxin’, this podcast is everlasting! In this episode, Rich has somethin’ to say about OutKast, the Atlanta duo consisting of Antwon “Big Boi” Patton and André “3000” Benjamin, who conquered hip-hop in the late ‘90s and early ‘00s before quietly parting ways. The most fascinating characteristic of OutKast is the duality between Big Boi’s extroverted, in-your-face gangsta persona and Andre’s introverted, quiet philosopher poet persona, a contrast they thoroughly explore on their 1998 album Aquemini, whose title is a portmanteau of their astrological signs. The duo emerged from Atlanta at a time when Southern hip-hop was struggling to be taken seriously amid the dominant West Coast/East Coast narrative, and on this album OutKast proudly make an argument for themselves as masters of the genre with music that’s both overwhelmingly colorful and layered with history and cultural subtext, all in a way that’s distinctly Southern. So if you’ve been on the fence about getting into hip-hop, Aquemini may be the album that helps you get the hump up out your back now.
More from Discord and Rhyme: An Album Podcast
In this week's Wrecking Crew retrospective, our crew makes a feast out of some puzzling but very fascinating table scraps, including a rowdy, drunken recording session allegedly conducted as a tax write-off for Michael Nesmith, and several songs written by the enigmatic Lee Hazlewood. And just for kicks, we threw in one of the most iconic songs of the '60s as a special bonus track!
Paul Simon, famously short of stature but enormous in talent, is one of the most beloved and acclaimed American songwriters of the past century. He has at least four solo albums that would have made for great podcast episodes, but Amanda picked There Goes Rhymin’ Simon. This is probably not his absolute best album, but it’s incredibly good and serves as an excellent introduction to his solo career. He departed from the folk-rock style of Simon and Garfunkel and expanded on his experimentations with jazz, reggae, and R&B (some of these experiments being more successful than others), always accompanied by his characteristically clever turns of phrase. The result is an album that is widely varied but also sonically consistent, very early-’70s but also timeless, and extremely interesting and fun.
This week, the D&R crew discusses a new batch of tunes featuring our favorite L.A.-area session musicians, including the accidental invention of a silly but awesome production technique, a sick beat that helped lay the groundwork for hip-hop, and a celebrated trumpeteer whose cornball music nearly tears this podcast apart.
In late 1995, Stone Temple Pilots were one of the most popular bands in the United States, but they were still widely disliked by critics. The band responded with Tiny Music... Song From The Vatican Gift Shop, where they forged their own unique identity and branched out to try a bunch of styles far from the 90's grunge music they had long been associated with. Phil has been fascinated by this record for a long time and is thrilled to share his appreciation with Rich and Dan.
Back to the Wrecking Crew! Since "Good Vibrations" got its own showcase as it deserves, this is tracks 2-6, including some of the best sunshine pop and some of the most annoying protest music, all performed expertly by the best musicians in Los Angeles.