Show Notes
Join Rain on LaunchLeft today as they welcome Oscar-nominated Son Lux to kick off Qasim Naqvi's launch. Tune in for an engaging conversation with Ryan, Ian, Rafiq, and Qasim Naqvi as they discuss their unique experiences and creative processes in music-making. This versatile group excels as a live band, studio recording artists, and composers, embracing various aspects of the art they cherish. As a special treat, you'll have the privilege of hearing Qasim Naqvi's captivating performance of "The Curve" at the end of the episode.
-----------------
LAUNCHLEFT OFFICIAL WEBSITE https://www.launchleft.com
LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft
TWITTER https://twitter.com/LaunchLeft
INSTAGRAM https://www.instagram.com/launchleft/
FACEBOOK https://www.facebook.com/LaunchLeft
---------------------
LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery.
---------------------
IN THIS EPISODE:
[02:23] Ryan tells how he and Rafiq came to collaborate.
[08:25] Ian explains how they became composers for Everything, Everywhere, All At Once.
[10:26] Rafiq shares what they have been working on recently.
[12:39] Ryan comments on the reward versus the work and how the work won out.
[17:42] Qasim Naqvi reveals how he met the members of Son Lux, and they all reflect on their times together.
[25:02] Ryan talks about how their music is visual, and Qasim Naquiv discusses the modular synthesis while they land on making music with what they have.
[40:03] Listen to “The Curve” by Qasim Naqvi.
KEY TAKEAWAYS:
The difference between performing on stage and recording in a studio is night-and-day.
When you find like-minded artists who appreciate each other's talents, you have a winning combination.
Sometimes it’s the accident that makes the music. It’s called working with what you have.
BIOGRAPHIES::
SON LUX BIO:
From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and the triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for an equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once (March 2022). The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.
Based in New York, Rafiq Bhatia is the first-generation American son of Muslim immigrant parents who trace their ancestry to India through East Africa. Early influences such as Jimi Hendrix, John Coltrane, and Madlib—as well as mentors and collaborators including Vijay Iyer and Billy Hart—prompted him to see music as a way to actively shape and represent his own identity, not limited by anyone else’s prescribed perspective.
When Ian Chang describes his creative process, the phrase "third culture” keeps coming up. Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for ten years and since relocated to Dallas, Texas, he b
More from LaunchLeft
Musician, photographer and writer Melissa Auf der Maur shares stories from her memoir Even the Good Girls Will Cry and her pro human artistic approach. She explores her analog era artistic process from her touring years before digital media transformed creative culture.
Guest host Rich Tupica sits down for an electrifying John Flansburgh interview, diving headfirst into four decades of They Might Be Giants magic. John shares insider stories about their latest album, The World Is to Dig, the true craft behind pop music songwriting, wild vocal lessons, and why staying curious keeps an indie band thriving.
Music icons Chuck D of Public Enemy and John Densmore of The Doors explore the concept of LaunchLeft and examine how raw creative expression bridges generations. The conversation centers on the intersection of hip hop and poetry, highlighting how rhythms and spoken word art carry powerful cultural histories.
Shepard Fairey hosts cultural icons Chuck D of Public Enemy and John Densmore of The Doors as they discuss their groundbreaking collaboration, DOPE | No Country for Old Men. What happens when different genres collide with a purpose? Their conversation explores activism, artistic responsibility, hip hop and rock history, creative evolution, spoken word, poetry, social change, and the power of music to challenge systems. Together, they reveal how generations of artists can unite to create meaningful work in a time of distraction and division.
Today on LaunchLeft, guest host Rich Tupica chats with Jenny Lee Lindberg for a candid conversation about longevity and creativity, collaboration, and artistic independence. Jenny opens up about balancing music and painting, Warpaint’s evolving future, and finding freedom through visual art. Then, Jenny launches Sierra Swan, who reflects on growing up around music, self-producing her work, and embracing a fearless DIY spirit. Together, they discuss Los Angeles nightlife, artistic authenticity, dance, and why creating without compromise matters more than ever.