#14 Technoscience & the limits of life w/Martin Eggen Mogseth & Fartein Hauan Nilsen
Anthropology on AirShow Notes
In this episode, we speak with Martin Eggen Mogseth and Fartein Hauan Nilsen about their first edited volume, Limits of Life: Reflections on Life, Death, and the Body in the Age of Technoscience (Berghahn Books, 2024). The book explores how fundamental concepts such as life, birth, selfhood, religion, death, and ancestry are being reshaped in an era of rapid technological changes, from a transhumanist movement seeking to disrupt death, to digital avatars ‘replicating’ deceased loved ones and widely accessible DNA tests revealing hitherto unknown genetic relatives. We discuss the book’s genesis in a smoky pub in Denmark; different ways of understanding ‘life’ and ‘limits’; how advancements in artificial intelligence and genetic testing have led to a revival of interest in ancestry in Euroamerican contexts; sperm ‘superdonors’; why California is such fertile ground for exploring topics at the intersection of scientific imagination, technology, and the self; and more.
Martin Eggen Mogseth is a PhD Candidate at the Department of Social Anthropology, University of Bergen, where he works with the experiences of people involved with assisted conception in the US, primarily in California. His research begins with the moment a person learns that they are donor conceived, what might be called "reconception", and expands to consider the various actors somehow affected by and affecting the trajectories that thus ensue, be they temporal, "non-human", or relational. The project is concerned with topics such as identity, kinship, technology, and biology, and deals intimately with phenomena such as personal misrecognition in the mirror, familial secrecy, familial disruption and connection, and the shifting of fundamental sense-making elements. Martin is also interested in the limits and possibilties of language in conveying ethnographic occurences, thus he tinkers as well with poetry and "the literary" and the idea that "language is technology".
Fartein Hauan Nilsen is a PhD Candidate in the Department of Social Anthropology at the University of Bergen. He has previously conducted ethnographic research in Iceland for his MA where he explored the impact of modernity and technological advancements on religious revivalism, particularly pagan revivalism, in Iceland and the broader Euro-American context. Currently, Fartein is part of the RCN-funded project "Human Futures: A study of Technoscientific Immortality" led by professor Annelin Eriksen at the University of Bergen. As part of this project, Fartein has conducted 13 months of fieldwork in California focusing on how Generative Artificial Intelligence, mainly in the form of chatbots, is being used for memorial purposes. Initially, his research centered on death, but fieldwork revealed that the current AI boom is equally about life, both in representing a new form of life and in facilitating a specific way of life. Fartein's research interests span a wide range, including the Anthropology of Technology, the Anthropology of Religion, Posthumanism, Transhumanism, Digital Anthropology, Artificial Intelligence, New Religious Movements, and the interplay between Science and Religion.
More about the book, released 1 June 2024, here: https://www.berghahnbooks.com/title/MogsethLimits
More from Anthropology on Air
In this episode, we speak with Assistant Professor of Environmental Humanities at the University of Copenhagen, Katy Overstreet. Katy is coordinator for the Landscapes, Senses, and Ecological Research Cluster as well as a core-member of the Centre for Sustainable Futures – both located at the University of Copenhagen. Katy’s core fields of research include multispecies ethnography, environmental anthropology, feminist STS, and agrarian political economy, and she has written on themes such as farm animal welfare, foodways, bioindustrialisation, technoscience, trans-species sensory worlds, and care.
In today’s episode, we talk to Tom Bratrud about his ongoing, long-term work with city-dwellers who migrate to rural parts of Norway. This research forms the basis of Tom’s forthcoming book project, which has the working title Rurality 2.0: Redefining Urban-Rural Divides in the Mountains of Norway.
In this episode, we speak with Alessandro Rippa about amber – a fossilised resin that not only allow us a glimpse into prehistoric lifeforms and climatic conditions millions of years ago but also works as an entry point into understanding current political, scientific, and commercial frictions.
In this episode, we are in company with Hans Lucht to talk about ethnographic poetry. Hans is a senior researcher, and the head of migration research at the Danish Institute for International Studies (DIIS) in Copenhagen. He has worked with migration for 20 years, with a special focus on undocumented labour-related migration from West Africa to Europe. He has conducted long-term fieldwork in Ghana, Niger, Libya, Italy, and Greece, and his prize-winning monograph ‘Darkness before Daybreak’ chronicles the lives of a group of migrants who travels from Ghana to Italy in search of work. Apart from his numerous academic contributions of articles and policy reports, Lucht is a writer, and poet, I should say. He has published two novels titled Onko-Mus and Lysene på den anden side and two collections of poems, all in his mother-tongue Danish. The first poetry collection, called Feltarbejde (Fieldwork) from 2022 is a poetic reflection on both the experiences of his interlocutors and the experience as a fieldworker. The second, Vores liv ryster (Our lives are shaking), came out in 2024 and consists of what Hans has called documentary poems. This means that all text of the poems is direct quotes from conversations and interviews with his interlocutors that Hans has then curated by following a few self-imposed dogmas. In today’s episode, Hans will read out loud five poems from this collection, all titled with a name of the one speaking and where the conversation took place. In between the readings, we ask Hans about what impressions inspired the poems, the dynamic of working between anthropology and art, and how each domain can inform and expand the insights of the other. We discuss the concept of ‘existential reciprocity’ in relation to his work, and how doing fieldwork engenders impressions and transformations that exceed academic analysis and extend into the lives of both interlocutors and fieldworkers. Resources: - Hans Lucht’s academic profile - Feltarbejde (2022) - Vores liv ryster (2024)
Welcome to a special two-episode series of Anthropology on Air!