
Why Immersive Audio Should Feel Familiar, Not Futuristic | Bobby Owsinski's Inner Circle Ep. 613
Bobby Owsinski's Inner Circle PodcastShow Notes
What if immersive audio is not about the future at all, but about going back to how music was always meant to be heard? In this episode of Bobby Owsinski’s Inner Circle, Bobby sits down with Adrian Weidmann, CEO and founder of Immersive Design Labs, to unpack why Dolby Atmos and immersive audio have left so many engineers scrambling, and how the real breakthrough is not technology, but clarity. Adrian shares how his background in test and measurement, studio microphones, and live capture sha...
More from Bobby Owsinski's Inner Circle Podcast
Musicians curious about AI robots: Georgia Tech's Gil Weinberg shows how technology expands what players can do without replacing the act of playing. Weinberg built Shimon, a marimba robot with eight arms hitting 20 notes per second, and a prosthetic drum arm for amputee Jason Barnes using ultrasound sensing for finger-by-finger piano control. His app HearMe blocks audio downloads and delivers notation and tabs instead, so players learn from the AI. The episode also covers the Guthman...
The latest music business and production news. For independent musicians: AI copyright lawsuits, royalty disputes, and changing listener habits are reshaping the music industry right now. Bobby covers US recorded music revenue hitting $6 billion in the first half of the year, with CDs up 59%. He also explains what a San Jose Sharks arena crowd rejecting an AI goal song tells independent artists. . . Universal Music Group is suing DistroKid for up to $150 million over undisclosed AI-gen...
How does an indie band from Chicago afford to record at the legendary Abbey Road Studios? You record live, of course. In this episode, producer Dan McCormick explains exactly what it takes to record a live album at Abbey Road with no overdubs. McCormick flew to London three weeks after his second son was born to produce The Empty Pockets in Abbey Road Studio 2. The indie band had spent nearly a year playing the songs live, then captured the full album in two days with no instrument overdub...
Soundproof studio costs, common mistakes, and overlooked questions: acoustic designer Wilson Harwood tells musicians what building one actually takes. An artist himself with a need for a personal studio, he first built his own 270-square-foot backyard studio in 2020. Wilson found he loved the work and the process, which eventually grew into a full design firm. He explains why soundproofing and acoustic treatment are frequently confused, why mini-split air conditioners don't actually bring in...
Nashville songwriter and producer Don Miggs explains how he built a career connecting legacy artists to the music that made them great. Miggs details how he brokered the relationships that landed him as a producer on a new "Let It Be" with Paul McCartney, Ringo Starr, Mick Fleetwood, and Dolly Parton. He also unpacks why legacy artists need someone to remember what made them good. Bobby and Miggs cover Canyon Studios Nashville and the 1968 Electrodyne board ZZ Top and Aretha recorded on. Mi...