Show Notes
Are you new to composing for sync, but overwhelmed by the jargon? In this episode, we sit down with Emmy-winning composer and sync expert Brad Hatfield to cut through the confusion. Brad teaches Songwriting for Film & TV and Music Supervision at Berklee, drawing from decades of experience in the industry. From understanding contracts and ownership to knowing what to expect once your track is synced, this episode provides a thorough breakdown of sync licensing, publishing, royalties, and ...
More from Two Composers, Two Continents
In this episode we sit down with the brilliant Andrew Sunnucks. Co-founder of Audio Network, a prolific orchestral producer and a farmer, Andrew has built a career on integrity, real musicians, and having a good time! From Andrew’s first job as a singing rabbit to working in commercials and eventually co-founding production music catalogue Audio Network, we trace his journey over the years. As one of the biggest employers of musicians, we discuss Audio Network’s commitment to using rea...
This week we're thrilled to welcome multi-talented engineer and musician Stefano Civetta, with an impressive career spanning from playing the organ at the Vatican to engineering for some of the biggest films including Avengers: End Game and Solo: A Star Wars Story. We begin with Stef’s musical roots from growing up in a small Alpine village surrounded by music, his summer gig playing organ at the Vatican, and his leap to the UK for the Tonmeister course. From there he shares his 6 years at A...
In this episode, we’re honoured to welcome 80s pop icon Nik Kershaw, whose four-decade career spans chart-topping hits like “Wouldn’t It Be Good” and the massive number-one single “The One And Only” which he wrote for Chesney Hawkes. We explore Nik’s upbringing in a musically rich family, channeling teenage angst into dramatic lyrics, and journeying through prog-fusion and jazz bands before launching his solo career with agent Micky Modern. Nik reflects on his whirlwind rise to fame, ...
We’re taking you behind the scenes of our recent trip to Nashville, where we recorded an album of sizzling soul grooves designed for use in Film & TV. This time, we’re skipping the writing process to focus on the recording sessions at the iconic Sound Emporium Studios, complete with it’s rich musical history and quirky tiki-bar studio charm! From a horn section with lips of steel to the slightly humbling moment the rhythm section rewrote all our chart...
On today’s episode, we’re joined by Italian composer, sound designer, and Sonora Cinematic founder Alessandro Mastroianni! Alessandro shares how his career evolved from composing for Film & TV (including writing for Hans Zimmer’s Bleeding Fingers!) to diving into custom sound design and virtual instrument creation. He takes us inside a recent recording session, where he captured impulse responses and the foundations for a new virtual instrument in a restored 19th-century chur...