Show Notes
This concerto is one of the most daunting in the repertoire, and almost every big soloist aims to lay down their interpretation. But what makes this work so difficult? Is it the written music or is it something else? John Banther and Evan Keely show you what to listen for, how Sibelius does things differently, a moment from a masterclass, and what went wrong in the premiere.
More from Classical Breakdown
What kind of dance is Snoopy's favorite? What is Schroeder's favorite Beethoven sonata? And will Charlie ever kick the football? John Banther and Evan Keely learn all about that and more in the imaginative piano concerto, Peanuts Gallery, by American Composer Ellen Zwilich.
Why is it that this composer's name is probably not known to you? John Banther and Evan Keely explore some of his extraordinary music and achievements in the arts, including how he shaped art institutions and his very unusual start in composing music.
Not too many instruments in the orchestra have a history that spans the centuries, and use of the harp! Nadia Pessoa, a Washington, DC-area harpist, shares with us the harp's use in the orchestra from around 1600 to now, answers John's burning questions, and plays for us, including a recent viral tune on the harp.
Enjoy a Concertgebouw Chamber Orchestra recording of the music we learned about last week, plus a listener comment that helps clarify the situation after Queen Anne's death!
Why did Handel write this, and what would it have been like on the river's edge? John Banther and Linda Carducci explore how Handel went above and beyond for a King and even what it would have been like for the musicians.