Show Notes
Dr. Tirtha Mukhopadhyay joins Alan to talk about iconicity in rock. This is a fascinating discussion about some of the deep meanings and uses of rock art.
Contact
* Dr. Alan Garfinkel [email protected] Dr. Alan Garfinkel's Website [https://www.dralangarfinkelgold.com/]Support Dr. Garfinkel on Patreon [https://www.patreon.com/user?u=79908652&utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator]
ArchPodNet
* APN Website: https://www.archpodnet.com [https://www.archpodnet.com/] * APN on Facebook: https://www.facebook.com/archpodnet * APN on Twitter: https://www.twitter.com/archpodnet * APN on Instagram: https://www.instagram.com/archpodnet * Tee Public Store [https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724]
Affiliates and Sponsors
* California Rock Art Foundation [https://www.carockart.org/] * Motion [https://www.archpodnet.com/motion]
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In this episode, Alan speaks with author James W. Graham about his book Where the Moon Stands Still, exploring the remarkable geometry and possible lunar alignments of the ancient Hopewell earthworks in Newark, Ohio. They discuss how researchers Ray Hively and Robert Horn investigated the relationship between the earthworks and the Moon’s 18.6-year cycle, and what these discoveries reveal about Indigenous astronomical knowledge. The conversation also considers the role of curiosity and interdisciplinary research in scientific discovery, the importance of Indigenous perspectives, and the ongoing debate over how ancient earthworks were designed and used.
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In this episode, Alan speaks with Dr. George Nash about Ice Age archaeology and rock art in South Wales. They explore the remarkable discoveries at Bacon Hole and Cat Hole, including a painted cave panel rediscovered after disappearing beneath calcite for decades, and a stylized reindeer engraving dated using uranium-thorium dating. They also examine Ice Age hunter-gatherer movement, the changing landscape of the Gower Coast, and how new technologies such as D-Stretch are revealing previously invisible traces of prehistoric art.
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