Show Notes
This episode looks at how the Gonzaga family of Mantua shaped their political image through art patronage. Ludovico Gonzaga, eager to raise his court’s prestige, brought the painter Andrea Mantegna to Mantua in 1460. Under Gonzaga patronage, Mantegna transformed court painting with his mastery of perspective and classical form. Their collaboration produced the fresco cycle in the Camera degli Sposi, a landmark of Renaissance art that blended dynastic portraiture with political messaging. Toge...
More from The Italian Renaissance Podcast
Author and historian Sarah Dunant joined me for a riveting conversation about her new book treating the life of Isabella d'Este, The Marchesa. A master of the historical fiction genre, Sarah walks us through her creative process from the archives of Mantua to the rich pages of her exceptional prose. We discuss art, patronage, and some newfound evidence that uncovers details about Isabella's intimate life during the 16th century Syphilis outbreak. This title is the latest in a long list ...
Among the many artists employed by Agostino Chigi, Giovanni Antonio Bazzi, better known as Il Sodoma, painted a remarkable fresco cycle of Alexander the Great in Rome's Villa Farnesina. At the center of the discussion is a question: what happens when an ancient story of Alexander, Hephaestion, and Roxana is filtered through the erotic and social culture of Renaissance Rome? Alexander the Great's relationship to his childhood friend and general Hephaestion has long been a subject of debate. We...
At the height of his career in Rome, Raphael was commissioned by the wealthy banker Agostino Chigi to join a large workforce of artists decorating his villa on the outskirts of central Rome, known today as the Villa Farnesina. The decoration is entirely secular, depicting a wide range of pagan mythologies all throughout what can be considered a pleasure palace. Raphael's major contributions were his Galatea and his decoration of the Loggia of Cupid and Psyche. This episode exp...
In this episode, we explore Raphael’s extraordinary decoration of the Vatican’s Stanza della Segnatura, one of the defining achievements of the High Renaissance. At the center is the famous School of Athens, but the true masterpiece is the whole of the room’s larger intellectual and theological program. We examine how Raphael brings together classical philosophy, poetry, law, and Christian theology into a unified vision of knowledge itself. Along the way, we consider the remarkable portraits,...
In 1534, Michelangelo was called back to Rome to complete his final work inside the Sistine Chapel for the altar wall, his Last Judgement. In the decades between his painting of the ceiling and his return, Rome was subject to two major historical events: the start of the Protestant Reformation and the 1527 Sack of Rome. This episode looks at the Last Judgement as a product of this new historical shift in Renaissance Rome. We also look at the critics of the work, both locally from Biagio...