1. Take The Steel

Here's the link to our Bandcamp page And here's the link to our Ko-fi page Hello, listeners! It’s us again. Hopefully you listened to our last message. If you didn’t, it was about how we’re taking all our shows off Spotify. And now, that time has come: as of today, we’ve requested their removal. Spotify makes the process as opaque as possible, so we don’t have a definitive date for when they will disappear, but it is imminent. So, where can you find us once we’re off Spotify? Where are we putting our brand new season of Mockery Manor? Are we making sure there’s always a free way to listen to it? Firstly, yes, there are many ways to listen to our shows for free. They will continue to exist on almost all podcast platforms - except Spotify. The free versions include adverts, although we try to keep those to a minimum. If you’d prefer to listen to Mockery without adverts - and who wouldn’t - then the most ethical way to do that is one we’ve just launched, where for only £3.49, you can purchase a whole season of Mockery on Bandcamp. And if you’re wondering why we chose £3.49, that’s because that was the average cost of a CD single in around 2002, when I started buying music. All our scripted podcasts are now available on Bandcamp, and they sound much better. The audio quality of a podcast is higher there than on any other online platform. MUCH higher. That’s because podcast platforms use compressed MP3s, while on Bandcamp, everything is CD-quality, high definition lossless audio. And unlike other online services, Bandcamp pays artists fairly. In a world that seems to be trying to destroy creators, services like Bandcamp means we can keep going. Also, Bandcamp’s profits DO NOT go into the pockets of mass murderers! What a world, where that’s even a thing. We’ve always given our monthly supporters free access to our music albums on Bandcamp, but going forward, they’ll also have access to unlimited plays of our podcasts in high definition, so join us over on Ko-fi for that delicious perk. Mockery Manor season 4 is due out this summer, so please do listen to it for free on any other podcast platform, or for £3.49 on Bandcamp. See you on the other side! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello, Laurence & Lindsay here. We've got a big problem, and we need your help.

Subscribe to Magenta Presents on your podcast player of choice! Hey folks, Laurence here... And today we are so excited to introduce OUR new show. We have a new podcast that's just started, it's called MAGENTA PRESENTS. It's a horror anthology series, in the tradition of classic anthology shows like Tales From The Crypt and Elvira, in which Madame Magenta is your horror hostess and guide to the unnatural and the bizarre. And the first story in Magenta Presents is a five-episode miniseries called GHOSTED. A full audio drama, written and directed by Lindsay, with music and sound design by me, and starring Beth Eyre and Lucy Roslyn in the main roles. Perched on a rain-battered cliff edge is a former lighthouse; now a charming, boutique hotel. Owner and sole occupant Beth has spent months renovating, absorbing its essence into her bones, preparing for her first guest to arrive. But when they do, to Beth's horror, it is a figure from a past she has tried to forget. Keira. Face-to-face for the first time in years, the pair must reckon with old mistakes, old grievances. And something else, besides. Because the lighthouse has a past too. We're going to play you the first episode now, and you can hear the next episode by subscribing to Magenta Presents wherever you get podcasts, you can also go to www.longcatmedia.com, or you can tap the link in the show notes of this episode. And now we really hope you enjoy GHOSTED, episode 1. www.longcatmedia.com

Previously: Bob appears to Mist in a dream, and shows him the capture of The Revenge by pirate-turned-privateer Jonathan Barnet. Anne and Read fight to the last, Bob is shot in battle, and dies in Mist’s arms. Mist then awakes, incarcerated in Barnet’s house, where a raging Barnet tells him that he is planning to torture Anne and Read for the location of Rackham’s treasure - but, Scratby insists, only after 4 o’clock tomorrow, as the pirates are scheduled to be visited by a high-paying baroness. Barnet then makes Mist a fugitive by exposing treasonous documents collected from his lodgings. Mist is then rescued from captivity by Bess, who helps him escape through Barnet’s window, and hides him at her gaff. Meanwhile, Anne hoodwinks a well-meaning turnkey into delivering a coded letter to Mist that outlines her plan to escape Newgate, with Read at her side... In this episode: It’s prison break time, you slubberdegullions. Featuring Christina Bianco as Anne Bonny, Sooz Kempner as Mary Read, Karl Queensborough as Nathaniel Mist, John Henry Falle as Jonathan Barnet, Carole Stennett as Bess the Ballad Singer, Laurence Owen as Pippin, the Musician, the MP, Turnkey Peters and additional voices, Hayley Evenett as Bob and Henrietta, James Ducker as Turnkey Scratby, Lindsay Sharman as the Baroness, the Midwife and additional voices, and Ivan Wilkinson as Turnkey Gregory. Further additional voices by Dominic Brewer and Helen Fullerton. Produced by Long Cat Media. Artwork by Rebecca Pitt. Sensitivity Reading by Ray Stoeve. Episode 4 is released on May 27th. For transcripts and additional info about this podcast and our other productions, visit http://www.longcatmedia.com/ (www.longcatmedia.com) - You can buy The Ballad of Anne & Mary Songbook Programme here! You can support Laurence and Lindsay by buying them a coffee! Donate a one-off or monthly gift at http://www.ko-fi.com/longcatmedia (www.ko-fi.com/longcatmedia), and get exclusive bonus and behind the scenes content. You can also buy The Ballad of Anne & Mary Songbook Programme here as well! Follow us @LongCatMedia on Twitter, Instagram and Facebook, and also @BalladAnneMary on Twitter. This podcast was supported by funding from Arts Council England, the UEA Enterprise Scheme, and our Ko-fi patrons.

Previously: On board the Revenge, the frosty-but-curious relationship between Bonny and Read comes to a head, as they clear the air with a heated sparring match. Read decides to reveal that she was born Mary, not Mark. Meanwhile, some weeks have passed, and Nathaniel Mist is on good terms with the pirates. Read, who has rallied from fever, chastises Mist for endangering himself with his seditious newspaper, Mist’s Weekly Post, which he is using to publish inflammatory letters under the name Captain Charles Johnson. Suddenly, Turnkey Scratby, furious that Anne has stabbed a ‘punter’ with one of Mist’s pencils, demands that he leave Newgate. Mist refuses, and the Turnkeys knock him unconscious. In his dream, we flashback to the Revenge, where Barnet attempts to invoke a mutiny, but is beaten in a duel by Read and forced to flee the ship. In this episode: Bob comes to Mist in a dream, and shows him the capture of the Revenge, Barnet reveals his true colours, Mist finds help in an unlikely ally, and Anne hatches a plan... Featuring Christina Bianco as Anne Bonny, Sooz Kempner as Mary Read, Karl Queensborough as Nathaniel Mist, John Henry Falle as Jonathan Barnet, Carole Stennett as Bess the Ballad Singer, Laurence Owen as Dobbin, Turnkey Peters and additional voices, Hayley Evenett as Bob and Wren, James Ducker as Turnkey Scratby, Lindsay Sharman as Gin-Soaked Jenny and additional voices, Helen Fullerton as the Landlady, and Ivan Wilkinson as Turnkey Gregory. Further additional voices by Dominic Brewer. Produced by Long Cat Media. Episode 4 is released on May 27th. For transcripts and additional info about this podcast and our other productions, visit http://www.longcatmedia.com/ (www.longcatmedia.com) You can support Laurence and Lindsay by buying them a coffee! Donate a one-off or monthly gift at http://www.ko-fi.com/longcatmedia (www.ko-fi.com/longcatmedia), and get exclusive bonus and behind the scenes content. Follow us @LongCatMedia on Twitter, Instagram and Facebook, and also @BalladAnneMary on Twitter. This podcast was supported by funding from Arts Council England, the UEA Enterprise Scheme, and our Ko-fi patrons.