Show Notes
When Viet Thanh Nguyen was growing up as a refugee in the United States, it was hard for him to find stories that represented his experience. Now, as a Pulitzer Prize–winning novelist, he is determined to center the narratives of Vietnamese writers and artists in the diaspora. His most recent book, The Cleaving: Vietnamese Writers in the Diaspora, which he coedited with Isabelle Thuy Pelaud and Lan Duong, is the first anthology to gather the voices and perspectives of Vietnamese diasporic authors from around the globe. Featuring dialogues among thirty-seven writers and artists, the book explores themes of history and memory, the ongoing legacies of colonialism and war, and the role of art in reckoning with the realities of diaspora and displacement.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Nguyen to talk about how writing can be a tool for fighting back against erasure and exploitation, why he rejects the trope of being a voice for the voiceless and believes instead that we should abolish the conditions of voicelessness, how contributors to the collection complicate notions of authenticity and authority, and how political imagination can be a resource for building a better future.
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