Show Notes
Three film-obsessed friends watch deep-cut folk-horror, ask “is it really folk-horror and is it any good?”, then argue, spoil and score it out of 30. Come for the obscure movies, stay for the pub-banter exorcisms. Subscribe… if you dare.
For more visit the FolknHell website Folknhell is the folk horror podcast where Andy Davidson, Dave Houghton and David Hall dig into strange cinema, argue about whether it really counts as folk horror, and score every film out of 30.
Add your own score and comments about the films at https://www.folknhell.com/scores
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More from FolknHell
The Blair Witch Project became a phenomenon by convincing audiences there might really be something in the woods. FolknHell goes back to Burkittsville to ask what remains once the marketing fog clears, whether the film still works, and whether a few bound twigs are enough to make it folk horror.
FolknHell heads to a remote Devon church for Elliot Goldner’s found-footage horror The Borderlands, also known as Final Prayer. There are Vatican sceptics, far too many explanations about cameras, an older belief system under the floorboards, and an ending that finally remembers how horrible all of this ought to be.
Charlie Robb’s Loner (2025) drops a lonely, deeply unreliable vlogger into the Northumbrian woods and lets social-media fakery collide with something that may be older, hungrier and considerably less interested in Wi-Fi. FolknHell asks whether this is folk horror, horror-comedy, or folk horror about folk horror.
Mark Jenkin’s Rose of Nevada gives FolknHell a lost fishing boat, a thirty-year time slip, suspiciously dead fish and a surprisingly strong case for Cornish folk horror. Andy, David and Dave agree on the film. The timeline is another matter entirely. Spoilers throughout. Watch the film first unless you fancy sailing directly into the temporal fog.
FolknHell tackles Tobe Hooper’s The Texas Chain Saw Massacre (1974), its still-shocking violence, suspicious barbecue and surprisingly solid claim to American folk horror. Also, this is Take Two because somebody forgot to press record. Spoilers throughout. Watch the film first if you would rather enter the farmhouse without knowing exactly where the hooks are.