Show Notes
It's a long holiday weekend, so an extra-long episode of our Breakfast Al Day podcast seems fitting. Here's what we reviewed as we head into Memorial Day: I LOVE BOOSTERS. Boots Riley is back with another maximalist, absurdist comedy. He follows up 2018's "Sorry to Bother You" with the story of a group of women who steal designer clothes and sell them at discount prices. Starring Keke Palmer, Taylour Paige, Naomi Ackie and Demi Moore. In theaters.
TUNER. The best new movie of the week. Oscar-winning documentarian Daniel Roher ("Navalny") makes his narrative feature debut with the story of a New York piano tuner (Leo Woodall) who uses his super-sensitive hearing to work as a safecracker on the side. Co-starring Dustin Hoffman and Havana Rose Liu. In limited release now, opening nationwide May 29.
IS GOD IS. We got a ton of requests to catch up with this stylish Southern thriller from last week, and we're so glad we did. Writer-director Aleshea Harris adapts her stage play about twins who go on a cross-country road trip of revenge against their father, who tried to kill their mother. Kara Young and Mallori Johnson are both tremendous. This is a must-see. In theaters.
MOVIE NEWS LIVE! We're back with lots to discuss, including "The Mandalorian and Grogu," "The Boys" series finale, the last Stephen Colbert show, Tom Hardy getting fired from "MobLand," the Cannes Film Festival and more. Join us on Fridays at Noon Pacific.
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More from Breakfast All Day movie reviews
It's Arthouse Tuesday on a Friday here at Breakfast All Day. We've already reviewed the big movie everyone's talking about this week, the Elizabeth Holmes documentary "You Can See Everything." And as for "Street Fighter," Alonso did a quick out-of-the-theater reaction. But there are always plenty of new movies to discuss. Here's what we reviewed on our latest episode: LA BOLA NEGRA. It's a sweeping historical drama and a queer Spanish romance. And it was a very big deal at this year's Cannes Film Festival, where the directors, known collectively as Los Javis, won the top prize. Playing in theaters now before streaming on Netflix starting Dec. 2.
October means all the movies are very long and important. Well, most of them are. Here's what we reviewed on the latest episode of our Breakfast All Day podcast. YOU CAN SEE EVERYTHING. This is a very early look at the Elizabeth Holmes documentary, so it's a non-spoiler review, because there's a lot you're going to want to discover and discuss on your own. Directors Nathan Fielder and Lance Oppenheim spent a month with the disgraced Theranos founder in her home before she had to report to prison for defrauding investors. The results are mesmerizing. In theaters Oct. 16, then come to our LIVE spoiler chat on Tuesday, Oct. 27 at Noon Pacific and we'll really get into it.
It's a big midweek episode of our Breakfast All Day podcast. Here's what we've got for you this time: THE SOCIAL RECKONING. Aaron Sorkin's follow-up to David Fincher's searing 2010 drama "The Social Network" focuses on Facebook -- and its founder -- from a different angle. This one's more of a journalistic procedural, and we don't agree on it. Starring Jeremy Allen White, Mikey Madson, Betty Gilpin, Wunmi Mosaku, Bill Burr, and Jeremy Strong as Mark Zuckerberg. In theaters this weekend.
A ridiculously huge episode of Breakfast All Day to kick off October. Here's what we reviewed this week: DIGGER. Tom Cruise teams up with Alejandro G. Iñárritu for a massive, cacophonous climate change parable. We couldn't stand it, but we were also in awe of its cinematography and production design. Riz Ahmed, John Goodman, Sandra Hüller and Jesse Plemons co-star. In theaters. And once you've seen the movie, come to our LIVE spoiler chat at our YouTube channel on Tuesday, Oct. 6 at Noon Pacific.
We are in the thick of fall movie season now, and you're here with us. Here's what we reviewed on this week's episode of our Breakfast All Day podcast. PRIMETIME. Robert Pattinson IS Chris Hansen, host of the NBC series "To Catch a Predator" in the early aughts. The film is lurid and Pattinson gives an enjoyably garish performance. In theaters.