Breakfast All Day movie reviews

Episode 612: Minions & Monsters, Young Washington reviews

Breakfast All Day movie reviews

Show Notes

Wow, it's July! We have a quick little episode to kick off the month and the second half of the year. Here's what we reviewed on the latest Breakfast All Day podcast: MINIONS & MONSTERS. The third Minion movie and the seventh film in the "Despicable Me" franchise is surprisingly hilarious, as those tiny, yellow chaos agents storm Hollywood and invent cinema as we know it. Lots of classic movie references for the adults in the audience and madcap hilarity for everyone, regardless of age. Allison Janney, Trey Parker, Christoph Waltz and Jesse Eisenberg are among the voice cast. In theaters everywhere now. YOUNG WASHINGTON. Before he was the first president of the United States, George Washington was a scrappy upstart with ambitions and mistakes to make. That's the point of this Angel Studios take on the founding father, set in 1755 Virginia. Starring William Franklyn-Miller, Kelsey Grammer, Ben Kingsley and Mary-Louise Parker. Coming soon to a middle school social studies classroom near you, but playing in theaters starting July 3. We'll be back on Friday with a review of "Enola Holmes 3," plus movie news. See you then, and thanks for sharing some of your summer with us. Subscribe to Christy's Saturday matinee newsletter: https://christylemire.beehiiv.com/

More from Breakfast All Day movie reviews

Oct 17, 2026

It's Arthouse Tuesday on a Friday here at Breakfast All Day. We've already reviewed the big movie everyone's talking about this week, the Elizabeth Holmes documentary "You Can See Everything." And as for "Street Fighter," Alonso did a quick out-of-the-theater reaction. But there are always plenty of new movies to discuss. Here's what we reviewed on our latest episode: LA BOLA NEGRA. It's a sweeping historical drama and a queer Spanish romance. And it was a very big deal at this year's Cannes Film Festival, where the directors, known collectively as Los Javis, won the top prize. Playing in theaters now before streaming on Netflix starting Dec. 2.

Oct 10, 2026

October means all the movies are very long and important. Well, most of them are. Here's what we reviewed on the latest episode of our Breakfast All Day podcast. YOU CAN SEE EVERYTHING. This is a very early look at the Elizabeth Holmes documentary, so it's a non-spoiler review, because there's a lot you're going to want to discover and discuss on your own. Directors Nathan Fielder and Lance Oppenheim spent a month with the disgraced Theranos founder in her home before she had to report to prison for defrauding investors. The results are mesmerizing. In theaters Oct. 16, then come to our LIVE spoiler chat on Tuesday, Oct. 27 at Noon Pacific and we'll really get into it.

Oct 7, 2026

It's a big midweek episode of our Breakfast All Day podcast. Here's what we've got for you this time: THE SOCIAL RECKONING. Aaron Sorkin's follow-up to David Fincher's searing 2010 drama "The Social Network" focuses on Facebook -- and its founder -- from a different angle. This one's more of a journalistic procedural, and we don't agree on it. Starring Jeremy Allen White, Mikey Madson, Betty Gilpin, Wunmi Mosaku, Bill Burr, and Jeremy Strong as Mark Zuckerberg. In theaters this weekend.

Oct 3, 2026

A ridiculously huge episode of Breakfast All Day to kick off October. Here's what we reviewed this week: DIGGER. Tom Cruise teams up with Alejandro G. Iñárritu for a massive, cacophonous climate change parable. We couldn't stand it, but we were also in awe of its cinematography and production design. Riz Ahmed, John Goodman, Sandra Hüller and Jesse Plemons co-star. In theaters. And once you've seen the movie, come to our LIVE spoiler chat at our YouTube channel on Tuesday, Oct. 6 at Noon Pacific.

Sep 26, 2026

We are in the thick of fall movie season now, and you're here with us. Here's what we reviewed on this week's episode of our Breakfast All Day podcast. PRIMETIME. Robert Pattinson IS Chris Hansen, host of the NBC series "To Catch a Predator" in the early aughts. The film is lurid and Pattinson gives an enjoyably garish performance. In theaters.

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