
Show Notes
The ideas and slogans Landmark draws on are seemingly everywhere. Particularly in the modern parlance of corporate America. Company culture — workplace authenticity, personal responsibility, making employees feel “like owners” — it can feel like a way to pass the buck on. In the final episode of The Beige Room, we look at how the ideas of Landmark have become fully intertwined with modern culture, particularly in the workplace.
More from The 11th
The Pulitzer on the Road podcast is back for season two! What does it take to win a Pulitzer Prize? In each episode, we’ll hear winners in conversation with one another, sharing stories behind their prize-winning work. This packed season features conversations between historians Vladimir Kara-Murza and Anne Applebaum, novelists Jayne Anne Phillips and Viet Thanh Nguyen, playwrights Sanaz Toossi and Lynn Nottage, critics Justin Chang and Joe Morgenstern, biographer Jonathan Eig and journalist Yohance Lacour, investigative reporter Hannah Dreier and photo-journalists Greg Bull and Ivan Valencia, and critic Salamishah Tillet talking with journalists Sarah Conway and Trina Reynolds-Tyler.
On a little island sandwiched between Miami Beach and mainland Florida sits an old pink apartment complex called The Lido. It’s unlike anything around it; a remnant of an old Miami. One of the tenants, Paula Barros, guides us through this colorful building and the colorful people who live there. There’s Eddie, the exhausted HOA Board President, a stickler for rules and a sucker for his cat. Evan, an aspiring travel influencer trying to work through hundreds of bucket list goals. Ragnar, an amateur taxidermist. Payami, who only calls himself that because it rhymes with Miami. At The Lido, Paula learns what it means to show up for people, and how to let them show up for her.
Two stories of people writing letters but never sending them. A grown brother and sister discover a stack of notebooks left behind by their late father, filled with letters written to them when they were children. And a woman writes letters for a year to process an incredible and devastating loss.
It's been 11 months of The 11th, so we're taking a little break. But! We've got some previews of shows our colleagues here at Pineapple Street Studios are making — shows that are perfect for a long road trip, a walk in the woods, or an afternoon cooking out.