
Show Notes
Taylor Grothe, who also writes as T.G. Laine, is the author of the YA folk horror debut Hollow, the upcoming Monstrous Beautiful Things, and the new sapphic dark academia horror romance Lethal Kiss.
Taylor talks about a Catholic childhood of cemetery trips and saints' relics, writing Hollow through their own autism and queer identity, and why horror works as a lens rather than a genre. They break down their writing process, from a 2,000 word synopsis to drafting 3,000 words an hour in a three and a half week sprint. We dig into balancing romance beats and horror beats 50/50 in Lethal Kiss, femme rage, and the real Duke professor behind the book's dean. Plus, writing their first smut scene, book bans, and a first look at the queer Arthurian romantasy The Mage and the Liar Knight.
Timestamps: 00:01 – Cold Open: The "Needles in Eyeballs" Feeling 00:46 – Welcome to Talking Horror & Meeting Taylor Grothe 02:54 – Begging Dad for Cemetery Trips as a Kid 04:30 – Saints' Bodies, Reliquaries and a Catholic Creep Factor 05:26 – First Word "Chandelier" and Writing Through COVID Lockdown 07:59 – Why Times of Terror Spark Creation 10:13 – Horror Tells the Truth: A Lens, Not a Genre 13:17 – Goosebumps, High Fantasy and Picking at a Scab 14:17 – A Nonfiction MFA and a Medieval Literature Scholar 15:09 – Autism, Auditory Processing and Failing Out of Catholic School 16:44 – Duke, Academic Corruption and Owning a Brewery 21:47 – 175,000 Words of Historical Fiction and an Icelandic Horror Novel 22:19 – Writing Hollow for Their Undiagnosed Autistic, Queer Teen Self 25:31 – Why Taylor Stopped Reading Reviews 29:16 – Meet T.G. Laine: Why a Second Pen Name 31:48 – Seven Book Ideas in One Email to Their Agent 32:22 – Goblin Mode: Drafting a Book in Three and a Half Weeks 33:55 – From Pantser to a 2,000 Word Synopsis 36:47 – The "Needles in Eyeballs" Test for a Wrong Turn 38:11 – 3,000 Words an Hour and Cat Therapy 41:35 – Lethal Kiss: Lacie Is Who They Were, Marcella Who They Wished to Be 45:50 – Their First Happy Ending (Still Bloody) 46:27 – Threading Horror Beats Through Romance Beats 48:42 – The Mortifying Ordeal of Being Known 49:54 – The Real Duke Professor Behind the Dean 52:44 – Girl Dinner and Storming a University Campus 54:19 – Writing Their First Smut Scene (and Hiding It From Dad) 58:12 – Why Romance and Horror Are Embodied Genres 1:00:56 – Writing, Coming Out as Nonbinary and Book Bans 1:05:53 – What's Next: Monstrous Beautiful Things and The Mage and the Liar Knight 1:07:22 – A Secret Mushroom Horror Romance for Fall 2027
Grab your copy of Lethal Kiss: https://amzn.to/3TtRvSx
Connect with Taylor Grothe: Website: https://www.taylorgrothe.com/ Instagram: https://www.instagram.com/taylorlgrothe/ Newsletter: https://hallowedwords.substack.com
Follow Talking Horror Podcast: Instagram: https://www.instagram.com/rachelreddreads/ TikTok: https://www.tiktok.com/@rachelredd
If you enjoyed this episode, please Like, Subscribe, and hit the notification bell to help us grow the horror community!
More from Talking Horror
CONTENT WARNING: This episode covers some sensitive topics such as Sexual Abuse and Domestic Violence.
Neil McRobert is the host of the Talking Scared podcast, a PhD in Gothic literature, and the author of the Stephen King blurbed novella Good Boy, with the chapbook House of Butterflies coming in December. Neil shares how a Vulture reading list for True Detective: Night Country led to Good Boy, a Northern Weird folk horror novella about a man, his dog, and a child-eating monster in a small English town. He explains why Good Boy is his answer to Stephen King's It, and what it really says about bigotry and getting stuck in your hometown. He gets honest about imposter syndrome at StokerCon, perfectionism, and why every podcast host should read the damn book. Plus, first details on House of Butterflies, set in a 1964 leaded gasoline refinery, and Bad Home, a violent home invasion novel about economic inequality.
Isabel Cañas is the USA Today bestselling, Bram Stoker Award nominated author of The Hacienda, Vampires of El Norte, and her YA gothic debut, The House of Gardenias. Isabel shares how an "air quotes too Mexican" rejection on her honeymoon in Mexico City led to The Hacienda, and how she defended her PhD in medieval Islamic history the day before it came out. She reveals the 1850s quote from Rio Grande bandit Juan Cortina about "flocks of vampires" that turned Vampires of El Norte into a story about settler colonialism. She connects The Possession of Alba Díaz to pregnancy, bodily autonomy, and the fall of Roe v. Wade. And she opens up about the real family story, her grandfather's abusive stepmother counting tortillas, that opens The House of Gardenias.
Noelle Ihli is the international bestselling, Bram Stoker Award longlisted author of Ask for Andrea, Grey After Dark, and her latest thriller, The Last to Drown.
Leopoldo Gout is the acclaimed visual artist and author behind the horror novel Pinata, the Ghost Radio series, and out today, his stunning new novel, Rooted.