Show Notes
Given a short cinema release in April 2026, this film remixes and restores John Lennon and Yoko Ono's 1972 One to One concerts at Madison Square Garden, New York, John's only full-length post-Beatles concerts. We look at the context: this is shortly after the release of Sometime in New York City, an album which hadn't gone down well with fans or critics. Does this explain the audience's seeming relief at hearing songs from other albums? We also look at Yoko Ono as an "anti-rock" vocalist, and discuss Imagine: as this was its only concert performance by its author, did the song escape the singalong anthem status it might otherwise have had?
The film has no streaming release date set at the moment, but generally these short cinema runs are a preamble to an imminent streaming release so we'd expect one soon. https://www.justwatch.com/uk/movie/power-to-the-people-john-and-yoko-live-in-nyc Watch the trailer: https://www.youtube.com/watch?v=P7DztEZ86IY Bruce Channel's Hey Baby, part of the brief 1962 harmonica craze into which Love Me Do slotted: https://youtu.be/Ync7jflOzuA Kanye West's 808s & Heartbreak, which started the popularity for autotune: https://open.spotify.com/album/5ykOQlHaE5ZRxMibfI75YW?si=csCzZXmhSqe0uUhNISzyXw The Talking Heads concert film Stop Making Sense: https://a24films.com/films/stop-making-sense
Meet the Beatles Films Podcast
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
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More from The Beatles Films Podcast
More chasing and more studied pointlessness as we head into the film's final scenes. We look at the Buster Keaton influence on the escalating police chase scenes, and ask whether Ringo is actually back where he belongs when he rejoins the group, given that there's been no narrative resolution of his earlier discontent. We look at the filming and editing techniques of the concert scene, and have a look at John's final words for Grandfather.
(Ringo's Theme.) We get on to Ringo Starr's real introduction to the world as an actor, when everyone thought "Hey, he's not bad at this, is he?" In particular he does a great job with Wilfred Brambell in the canteen, convincing us he's slowly becoming persuaded to leave the group. We spend some time parading with Ringo, looking at his interactions with the boy and in the pub.
Part 4 takes in three of the film's key solo spots: John Lennon's scene with Anna Quayle, George Harrison in the teen TV show office, and Paul McCartney fronting the Beatles' performance of And I Love Her.
From the hotel to the TV studio. We see the Beatles at a press event, which revisits one of the film's themes: that Beatlemania persists with or without the Beatles themselves. We get into more class dynamics between Ringo Starr and the sound engineer ("Aren't you being rather arbitrary?") and John Lennon's delivery of If I Fell gets us into discussing whether he could sing love songs straightforwardly without undercutting them with a joke, something which Paul McCartney didn't struggle with.
Part 2 covers roughly the next 12 minutes of Richard Lester's film. We look at the absurdist downplayed reaction to finding an intruder in your hotel room cupboard, and the generational disconnect in how comfortable the Beatles seem in the nightclub, vs how grandfather can only fit in at the casino by pretending to be someone else. Plus! The class dynamics in Ringo Starr's jump-dancing with a posh fellow clubgoer, and some more magic realism in John Lennon's bathtub scene.