Show Notes
This week, we are taking a break from She Harvey Oswald as we prepare to launch the second half of that series-within-a-series focused on its namesake–Spooky Sara Jane Moore–very soon. Meanwhile, we are coming in hot with a fun, cathartic rib-session on Trump’s cabinet of horrors. As “professionals” practicing law, we often find ourselves conversing with liberal-minded folks who are plenty cynical and horrified by the corruption and idiocy of the second Trump administration, but who nevertheless go about their business “respecting institutions” and, by extension, the people on whom those institutions confer authority. People may consider Trump and his fawning pack of yes-men and women pathetic, disgusting, dishonest, incompetent, and so on, but nevertheless go along with the cabinet’s policy prescriptions because they are taken pursuant to the authority entrusted to them by the system of government. We say enough.
In this episode, we model the disrespect we believe forms the bare-minimum prerequisite to the type of questioning of authority that is essential to breaking masses of people out of the hypnotic spell of the spectacle. Not in the Gavin Newsom / Jacob Frey / Chris Murphy “F*ck Trump” cheesy way, but in a serious way grounded in the immortal science of historical dialectical materialism. In a way that recognizes the criminality of these ghouls in the context of a bipartisan ghoulish consensus that has persisted with great help from the Democratic side of the aisle. We’d have loved to burn through the whole cabinet, but in this episode we ran out of time after roasting “Lil’ Narco” Marco, Pete “Hogsex” Hegseth, Brainworms Bobby Kennedy, Tulsi Gabbard (listen through to hear her new Fourth Reich Archaeology coined nickname), and Krazy-eyes Kash Patel. It is hard to think seriously about such a cavalcade of clowns, so we hope this episode will serve as something of an exorcism to the demonic pull of passive spectatorship and inspire contagious disrespect for these utter freaks and psychos. And we hope you’ll have as much fun listening as we had making it. Patreon: Patreon.com/fourthreicharchaeology
More from Fourth Reich Archaeology
This week we step back out of our historical narrative and into the present day once more. But fear not, this is not yet one more election episode regurgitating the same basic talking points about what to expect from the midterms. Instead, we zoom out and look at the whole electoral charade as Spectacle, asking not what policies are up to a vote, but rather what narratives are being promoted as the two permissible poles for popular discourse. We promise we’re not libbing out, but we are encouraging people to think practically about how this moment of utter overreach and unpopularity on the extreme right has created a political vulnerability that an organized left could exploit. Just think about it! We hope you enjoy. Socials: @fourthreichpod Email: [email protected] Patreon: patreon.com/fourthreicharchaeology
This week we are picking up where we left off in our ongoing series within a series about the two women who, in September 1975, pointed their pistols at President Gerald R. Ford. Our focus in this series as of late has been on the second of these two female assassins, the one who actually took a shot at the accidental president, Sara Jane Moore. In this episode, we continue our discussion of Sara Jane’s husband #3, John O. Aalberg, the 10-time Oscar nominee and RKO executive Sara Jane lovingly called “Big John.” Now, this is Fourth Reich Archaeology, so you know that we couldn’t really paint a complete picture of John Aalberg without diving a little deep into RKO, his longtime employer, and its eccentric owner, the aviator himself, Howard Hughes. It’s got the Fourth Reich written all over it. And that’s not all folks! In the second half of this episode, we read directly from Sara Jane’s 1979 prison interview transcript, with excerpts we humbly submit put together the pieces and show that not everything is what it seems when it comes to John Aalberg. In fact, nothing is what it seems. Because according to Sara Jane herself, Big John was not just an academy man, but also a company man. So get out your Vistavision glasses, ladies and gentlemen. It is time to go to the movies! Email: [email protected] Socials: @fourthreichpod
We are back to our series-within-a-series, She Harvey Oswald (a Jerryworld Series). And boy are we excited. When we last left her, Sara Jane Moore had dumped husband #2, Sydney Manning, and sent her three kids from her California home back to her parents in West Virginia. This week we move on to husband #3, still in Southern California–indeed, in Hollywood!--the RKO Pictures sound wizard, 10-time Oscar nominee, John O. Aalberg. In Side A, we gave the “official narrative” of Sara’s and “Big John’s” romance, drawing largely on Geri Spieler’s biography of Moore. Now it’s time to dig beneath the surface… John Aalberg was a veteran of WWI and lifelong mega-patriot. He perfected a recording technology in 1928 that enabled precise and easy cutting of sound in films. One of the technologies that bridged the gap to the widespread adoption of talking pictures. But moviemakers aren’t the only people interested in recording and editing technology: Aalberg was recruited to the Army to assist its pictographic works during WWII (in fact, starting even before Pearl Harbor by several months). And he remained involved in the armed services during the Cold War as well, besides busying himself as a reserve member of the LA County Sherriff’s Office as a literal “posse” member. It’s a great tale and we think you’ll like it. It’s got material and connections that have really not been reported before, and we thank you ever so kindly for supporting our work! We couldn’t do it without you. Email: [email protected] Socials: @fourthreichpod “I Put a Spell on You” performed by Angelina Jordan: https://www.youtube.com/watch?v=gXOPpwucDYw&list=RDgXOPpwucDYw&start_radio=1
We are back to our series-within-a-series, She Harvey Oswald (a Jerryworld Series). And boy are we excited. When we last left her, Sara Jane Moore had dumped husband #2, Sydney Manning, and sent her three kids from her California home back to her parents in West Virginia. We had questioned whether “Syd” might have been a handler of some kind, considering that (1) he was a psychiatric professional working in a facility while she was a patient undergoing treatment and analysis, (2) he was 17 years her senior, (3) he knew her only a short time before tying the knot, and (4) she had exhibited abnormal psychology, suffering fainting spells and bouts of amnesia, making her an ideal subject for just the type of experiments the CIA was doing at the time under Project Bluebird. This week we move on to husband #3, still in Southern California–indeed, in Hollywood!--the RKO Pictures sound wizard, 10-time Oscar nominee, John O. Aalberg. We begin by giving the “official narrative” of Sara’s and “Big John’s” romance, drawing largely on Geri Spieler’s biography of Moore. Even the truncated and largely superficial story told by Spieler is interesting if, for no other reason, it is pretty wild that Sara Jane Moore was married to the guy who did the sound for Citizen Kane! And if you are listening on the free feed, that is where we leave things off. There’s more at Patreon, otherwise, you’ll have to wait to hear the rest of the story… Patreon.com/fourthreicharchaeology Email: [email protected] Socials: @fourthreichpod Outro song performed by Angelina Jordan: https://www.youtube.com/watch?v=gXOPpwucDYw&list=RDgXOPpwucDYw&start_radio=1
This week, Dick and Don are back together talking about a topic that seems to have fallen out of the media spotlight lately, but that is more than deserving of serious attention and concern. Deportation numbers are breaking records each month, due process is being whittled away, hundreds of thousands of people are losing legal status with the stroke of a pen based on what country they’re from. Even as the policies around mass deportation decline in popularity (even among Trump voters), administration officials continue to peddle mask-off Nazi rhetoric to dehumanize the most marginalized members of society. All in service of the classic fascist maneuver of prioritizing a hardcore base of support among ideological extremists - white nationalist eugenicist racists, in this case. Side B will include an interview with Alex, a veteran immigration lawyer, who shares her perspective on the insanity from the center of the Maelstrom. Head on over to Patreon if you’d like to get at it sooner!