The Truth About Shooting Analog in the Wedding Industry with Brjánn Batista Bettencourt
Summer School - A Photography + Creative PodcastShow Notes
In this episode, I sit down with Brjánn Batista Bettencourt - a Toronto-based photographer and cinematographer known for his analog and Super 8 work - to talk about what it actually looks like to shoot film in the wedding industry today. Brjánn shares how his journey from photojournalism to weddings, his skateboarding background, and his Portuguese-Canadian roots shaped the way he tells stories. We dive into why he’s so committed to analog, what Super 8 brings to a wedding day, and the realities (and challenges) of shooting film for clients in a digital-heavy industry.
Meet Brjaan
Brjánn (Brian) Batista Bettencourt is a Toronto-based photographer and cinematographer whose work lives at the intersection of documentary truth and nostalgic longing. Brjánn’s career spans photojournalism, editorial portraiture, and motion-picture work, with tenures at the Globe and Mail, Toronto Star, and Country Music Television, where he photographed renowned artists such as Shawn Mendes, Shania Twain, Dierks Bentley and Florida Georgina Line. His analog film work has been featured by CBC and placed him on the cover of PhotoLife Magazine for his work with Kodak Ektachrome. Today, Brjánn works internationally across weddings, editorial assignments, and long-form personal projects, drawing inspiration from his coming of age experiences in the skateboarding community and duality of cultures as a Portuguese-Canadian. He lives in Toronto with his wife and collaborator, photographer and designer Ryanne Hollies.
Connect with Brjánn: Stay tuned for a potential Super 8 workshop happening in 2026! Website: www.3bphoto.ca Instagram: @brjann.c0m
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