Sonnet 113: Since I Left You, Mine Eye Is in My Mind
SONNETCAST – William Shakespeare's Sonnets Recited, Revealed, RelivedShow Notes
With Sonnet 113, William Shakespeare returns once more to the theme of separation, reflecting on how, when he is away from his younger lover, everything he sees takes on his lover's shape and thus reminds him of him.
Although we don't know when exactly the sonnet was written and therefore where precisely in the collection it belongs, it would appear to also, therefore, pick up on the notion, emphatically expressed in the previous sonnet, of his lover being his 'all the world', and it certainly also connects strongly to the sonnet that follows, which will further elaborate on the idea that the younger man with his beauty turns even the ugliest appearance to loveliness in Shakespeare's mind.
More from SONNETCAST – William Shakespeare's Sonnets Recited, Revealed, Relived
In this, the – at least for the time-being – final episode of his podcast on William Shakespeare's Sonnets, Sebastian Michael offers a brief summary of his findings and also takes the opportunity to examine in a little more detail the view held by some contemporary editors that the sonnets may not principally be about a Fair Youth and a Dark Lady – a contention that is largely based on a supposition that many of these poems "could be addressed to a male or a female" as one recent edition puts it – to see whether it stands up to scrutiny as we formulate any conclusion.
In this special episode, Sebastian Michael is joined by architect, author, and coder Miro Roman to talk about their experimentation with applying a machine learning approach to comparing the full text of William Shakespeare's Sonnets to the full text of his plays and narrative poems to examine whether such a methodology can confirm the rare word analysis research that has previously been carried out by Macdonald P Jackson and others towards dating the sonnets.
In this special edition of Sonnetcast, Sebastian Michael takes a closer look at our original source for William Shakespeare's Sonnets, examining in detail the few textual issues it presents, the much debated origin of the manuscript, and the dedication by its publisher Thomas Thorpe to a "Mr. W. H." which has been puzzling readers of these poems for centuries.
Following an established tradition at the time, William Shakespeare furnishes his collection of 154 Sonnets with a poetic Complaint that acts as a coda to the series.
Sonnet 154 brings to a close William Shakespeare's collection of sonnets, and it does so hand-in-hand with Sonnet 153, of which it is not a continuation, but a reiteration.