BAM!: John Madden, the NFL Explosion, and the Video Game that Changed Sports with Scott Howard-Cooper (Diversion Books, 2026)

What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.

The first book ever on how the press covered the Gettysburg campaign, From Blood to Ink: How the Press Covered the Gettysburg Campaign (U Georgia Press, 2026) chronicles the rise of the press through the Civil War and how its coverage of Gettysburg not only misled the people of two warring factions but also misshaped the battle’s meaning for generations to come. As Dr. Matthew J. Larson reveals, newsmen on both sides transformed the battle into what they needed it to be rather than what it truly was. While the Northern press elevated Gettysburg into America’s Waterloo, the Southern press polished it into another hard-won success for Confederate General Robert E. Lee. In both cases, facts bent to bias, narrative eclipsed reality, and Gettysburg itself became the final casualty.

In Revolutionary Ink: New York Printers and the Promise of Democracy, 1693-1804 (Cambridge UP, 2026), my guest Mark J. Noonan explores the careers of New York printers whose presses disseminated Enlightenment ideals that fueled the American Revolution and framed the political debates of the early republic. Long overshadowed by the celebrated authors whose works they produced, printers William Bradford, John Peter Zenger, James Parker, Thomas Greenleaf and others helmed presses that provoked civic engagement, cultivated an appreciation for the arts and sciences, and defended press liberty. The book also examines the equally revolutionary work of their wives, who assisted with and sometimes ran their husband's presses. Throughout the narrative, Noonan addresses the discrepancy between revolutionary rhetoric and practice, and argues that to grasp New York's early print history is to confront the paradox of the Anglo-American Enlightenment: its profound advancements alongside the denial of universal human rights.

To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Designing Historical Games for Classrooms: A Practical Guide for Educators (Routledge, 2026) is a complete introductory guide for designing analog games and interactive choice‑based historical texts for history classes. It is designed to support educators who want to design games or who want to guide and assess student game‑making projects in history class.