Show Notes
In this episode of Private Life, Lili Anolik joins Jarrett Earnest for a conversation about the life and legacy of Eve Babitz, in honor of the publication of New York Review Books’s Too L.A.: Letters Never Sent (But Some Were) (2026), a collection of Babitz’s correspondence. Earnest and Anolik discuss Babitz’s captivating persona and the strange course of her life, from New York to Los Angeles and from riotous success to anonymity. Anolik, who has spent over a decade researching and writing about Babitz, talks about the notorious photo of a nude Babitz, age twenty-one, playing chess with Marcel Duchamp; her relationship with Joan Didion, and her artistic legacy captured through letter writing.
Anolik is a writer and a contributing editor at Vanity Fair. She is the author of both Hollywood’s Eve: Eve Babitz and the Secret History of L.A. (2019) and the dual biography Didion & Babitz (2024). She is a writer at large for Air Mail, and her work has appeared in Harper's, The Paris Review, and Esquire, among other publications.
Eve Babitz (1943–2021) was a writer and artist from Hollywood, California. She is best known for the essay collections Eve’s Hollywood (1974) and Slow Days, Fast Company (1977), both reissued by NYRB Classics, and the novel Sex and Rage (1979). NYRB alsopublished I Used to Be Charming (2019), which brought together decades of her uncollected nonfiction. In addition to her writing, Babitz was a visual artist and created collages for a number of album covers, including LPs by Buffalo Springfield, The Byrds, and Linda Ronstadt.
Too L.A.: Letters Never Sent (But Some Were) will be published on June 23, 2026, and will be available at NYRB.com or at a local bookseller.
More from Private Life: A New York Review Podcast
In this episode of Private Life, Elaine Blair joins Jarrett Earnest to talk about feminism, sexuality, and television. They discuss her essay “The Loves of Lena Dunham” (published in the June 7, 2012, issue of the Review) in light of Dunham’s memoir, Famesick (2026), as well as the reputation of her HBO show, Girls. Earnest and Blair also talk about her essay “Fighting for Her Life” (from the June 27, 2019 issue), about Andrea Dworkin; how feminist thinking has shifted in the last few decades; and how cultural criticism reflects changing attitudes. Elaine Blair is a writer and contributor to The New York Review of Books. She has written for Harper’s, The New York Times, and The Paris Review. Next week’s episode will be a recording of “The Loves of Lena Dunham” read by the actress Ruby McCollister. You can read the essays discussed in this episode with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.
In this episode of Private Life, Rachel Kushner reads an excerpt from Leslie A. Fiedler’s Love and Death in the American Novel (1960), which was reissued by New York Review Books in April. In Kushner’s selection, Fiedler writes about Mark Twain and the themes and characters of his books The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1884). Kushner is best known for her novels Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2018). Her most recent novel is Creation Lake (2024). Leslie A. Fiedler (1917–2003) was a literary critic and novelist. His books include The Stranger in Shakespeare (1972), Freaks: Myths and Images of the Secret Self (1978), and Fiedler on the Roof: Essays on Literature and Jewish Identity (1991). Last week’s episode featured Edwin Frank in a conversation about Fiedler’s literary criticism and Love and Death in the American Novel. You can find Love and Death in the American Novel at nyrb.com or at your favorite bookseller.
In this episode of Private Life, Edwin Frank joins Jarrett Earnest to discuss Leslie A. Fiedler's Love and Death in the American Novel (1960), which was reissued by NYRB Classics in April. They discuss the preoccupations of Fiedler’s literary criticism, the process of putting together a collection of criticism, and Frank’s book Stranger than Fiction: Lives of the Twentieth Century Novel (2024). Edwin Frank is the editor of New York Review Books as well as the founder and editorial director of the NYRB Classics series. In addition to Stranger than Fiction, he has also released a collection of poems, Snake Train (2015). Leslie A. Fiedler (1917–2003) was a literary critic and novelist. He published two novels and three short story collections, as well as dozens of volumes of criticism, including The Stranger in Shakespeare (1972), Freaks: Myths and Images of the Secret Self (1978), and Fiedler on the Roof: Essays on Literature and Jewish Identity (1991). Next week’s episode will be a selection from Love and Death in the American Novel, read by the writer Rachel Kushner. You can find Love and Death in the American Novel at nyrb.com or at your favorite bookseller.
In this episode of Private Life, the actress Holland Taylor reads Renata Adler’s essay “The Perils of Pauline,” an expansive assessment of Pauline Kael’s film criticism from the Review’s August 14, 1980, issue. Taylor has been working on films, television, and Broadway since the 1960s. She is a nine-time Emmy nominee, winning once, in 1999, for her role as a judge on The Practice. She was nominated for a Tony Award in 2013 for playing Texas governor Ann Richards in Ann. Renata Adler is a journalist and film critic who was a staff writer at The New Yorker for four decades. Her books include A Year in the Dark (1969); Toward a Radical Middle (1970); Gone: The Last Days of The New Yorker (1999); and the novels Speedboat (1976) and Pitch Dark (1983), which were both reissued by NYRB Classics. Last week’s episode was an interview with Lucy Sante that discussed Adler’s essay and film criticism. You can read “The Perils of Pauline” and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.
In the second season premiere of Private Life, host Jarrett Earnest is joined by the writer and critic Lucy Sante to discuss Pauline Kael’s career, pop culture writing, and Sante’s writing for the Review, where she has been a frequent contributor since the 1980s. The conversation focuses on “The Perils of Pauline” (published in the magazine’s August 14, 1980, issue), Renata Adler’s blistering assessment of Kael’s film criticism; the legacy of staff film critics; and Sante’s relationship with popular music from Elvis to The Velvet Underground. Lucy Sante is the author of Low Life: Lures and Snares of Old New York (1991), Six Sermons for Bob Dylan (2024), and the memoir I Heard Her Call My Name (2024). Her first essay for the Review, “Relic” (published in the December 17, 1981, issue), reviewed Albert Goldman’s controversial 1981 biography, Elvis. Sante taught writing and the history of photography at Bard College for twenty-four years. Next week’s episode will be a recording of Adler’s “The Perils of Pauline” read by the actress Holland Taylor. You can read the essays discussed in this episode with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.