Show Notes
Mary and Charlotte talk to Daniel Mendelsohn, one of America’s most revered classicists, whose new translation of the Odyssey was published last year.
Daniel’s decision to translate the Odyssey occurred rather unusually. In 2011, his 82-year-old father decided to attend his weekly Odyssey seminar at Bard College. In his memoir An Odyssey: A Father, A Son, and an Epic (2017), Daniel recounts how through his father’s eyes he came to see the Odyssey differently - as well as their own relationship. In the book, he translated short passages which led to a commission from University of Chicago Press to translate the entire poem.
Daniel talks about the decisions he made in his translation - and, of course, how he tackled the word polytropos. He also talks about the response to his less than enthusiastic review of Nolan’s adaptation, why it’s nevertheless been a great moment for the Odyssey, and why literature is sometimes best when it’s NOT relatable.
Further reading:
Slightly confusingly, Mendelsohn’s Odyssey is published by University of Chicago Press in the USA and by Penguin Classics in the UK (adding to Penguin’s array of Odyssey translations).
Daniel has his own website: https://www.danielmendelsohn.com/ with links to many of his great classical (and other) essays.
Emily Wilson reviewed An Odyssey: A Father, A Son and and Epic in the Guardian: https://www.theguardian.com/books/2017/sep/13/an-odyssey-a-father-a-son-and-an-epic-by-daniel-mendelsohn-review
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