Show Notes
The theme is respect yourself. For Episode 25, "Earn Your Money, Koichi," The Sin Syndicate are peering through the two-way mirror at producer/distributor Bob Cresse's Japanese sexploitation pick-up, The Bite (1966). Directed by pink film pioneer Kan Mukai, this early B&W eroduction was purchased for $4,000, re-dubbed, and re-distributed to adults only theaters by Cresse's Olympic International Films. Listen closely and you'll hear sexploitation regular John Alderman as the voice of our protagonist, Koichi, a Sun Tribey young gigolo forced to degrade himself for the pleasure of voyeuristic couples on the other side of the glass. But when Koichi falls for a waitress used in his madam's live peep shows, the walls start closing in as fists are thrown, jail time is served, and a sick mother desperately needs money for an operation.
Joining us to talk about the separate but not dissimilar worlds of Japanese and American sexploitation are Christopher and Dakota of the Two in the Pinku podcast, bringing their expertise to an informal discussion about the early years of independently produced pink film, what lens we should view these movies today, and the circumstances that led Cresse to unleashing several of these productions to American grindhouses. Remove the wall covering, hold your lover tight, and join us for a leering look into a world of male prostitution, shotgun revenge, fondling on sailboats, and wearing sunglasses in the night club.
Links: Subscribe to our Patreon Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Listen to other podcasts on Someone's Favorite Productions Check out Something Weird Video Contact us: [email protected]
Guest Links: Special thanks: Christopher Velasco & Dakota Noot Listen and follow Two in the Pinku Purchase Sex and Fury from Terracotta Purchase Tokyo Emmanuelle from 88 Films
Links: Join the community on Patreon Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird Channel Listen to other podcasts on Someone's Favorite Productions Contact: [email protected]
More from The Sin Syndicate
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I hope you haven't forgotten your girl. We sure haven't. It's true, we will never stop talking about The All-American Girl, director Mark Haggard's 1972 coming-of-age, sex positive, Southern California masterpiece. We discussed the film at length in Episode 20, "Don't Forget Your Girl," have long been clammoring for a new home video release, and thus, were more than a little excited when we heard that the film was being screened on 35mm at the New Beverly Cinema in Los Angeles on Labor Day, 2026. Friend of the pod and enthusiastic Vinegar Syndromer Eli Olsberg was able to attend as our proxy, and joined us in this Short Ends episode to give his report. Keep your hankerchief on hand, it's going to get messy.
Can you afford the price? The film might call them hookers, but there is no hooking. Instead, in the 1967 anthology film, The Hookers, we are treated to three different stories dealing with three different ways in which the female body is sold and commodified, either by choice, or by coercion.
Here at the Sin Syndicate, we love websites. Not apps, not Substacks, not ad-filled modern forums, but websites. One of our favorites is Mondo Digital, the long-running project of Nathaniel Thompson, a long-time figure in the scene, whether it be moderating the Mobius Home Video Forum, covering genre cinema online and in print, contributing to disc releases, or working at Image Entertainment (not in that order). It's that last thing we wanted to talk with Nathaniel about, specifically around his work as part of Image in the period of the early aughts, which also coincided with the LA-based distribution company's partnership with Seattle's Something Weird Video.