Show Notes
It seems likely that most listeners to this podcast channel have heard of “shell shock,” the old name for what is now called post-traumatic stress disorder (usually abbreviated as PTSD). Even today, the long-term effects of combat tend to be under-estimated, but that was much more true in the years following World War I, when the diagnosis of “shell shock” first appeared.
Terri Lewis’s When They Came Home (Miami UP, 2026) tackles this problem head-on. Based on the lives of the author’s grandparents, this beautifully written, compassionate novella follows the war experiences and long-term effects of combat on not only the soldiers themselves but their families, forced to confront what to them often appears incomprehensible behavior that affects their loved ones’ ability to function in the post-war world.
The story focuses on Milton Fieth, a twenty-one-year-old farmer from Kansas who, like the other young men on his train, enlists out of a sense of duty to his country, hope of glory, and a free trip to France. The reality of the trenches horrifies him, and the loss of cherished comrades leaves him with massive survivor guilt for which he has no name. A year later, he’s back home, where he meets a young woman named Edith whom he courts and eventually marries. Only as the years turn into decades do both Milton and Edith realize that the scars left by those few horrific months will never heal completely.
Terri Lewis, a former ballerina, won the Miami University Press 2025 Novella award for When They Came Home. Her debut novel, Behold the Bird in Flight, appeared in 2025. Her interests lie with historical fiction—not dates or wars but untold stories of daily lives, particularly forgotten women. Find out more about her and her books at here.
C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including one co-written with P.K. Adams. Her latest book, Song of the Silk Weaver, appeared in September 2026.
More from New Books in Literature
Describing the plot of a Tom McCarthy novel requires some caveats about the scale and the projection of the thing. One might begin with a description of a man who after suffering a head injury decides to recreate and reenact a day in his life again and again ad absurdum to the point of violence, but this would be insufficient as a depiction of the novel Remainder’s electrical currents of feeling and its intellectual conduits that flip switches on and off in literary theory and philosophy. Likewise, a gloss of Satin Island might rest on the project of its narrator, a corporate archeologist preparing an all-encompassing ethnography of our human era. But such a distillation misses the humor, intrigue, and dreamwork that make the novel an island unto itself. And these baffling plots give way to novels that as the AV club has written, “are more entertaining than [they] have any right to be”.
When Saul Keng Hsiu and his wife, Mei Lee, move from China to the United States to take possession of a 160-acre homestead bequeathed to them by a distant relative, all they have are the possessions on their back, some hidden gold, and a pocketful of chrysanthemum seeds. After a rocky start and a long, harsh winter, the couple find themselves successfully raising chrysanthemums and livestock, and soon after, a daughter, Mara.
Sharma and Sushila were ahead of their time in marrying for love and across castes in early 1950s India. When their oldest daughter is nine, they leave their home and family for Sharma to take an academic position in astrophysics in America. Sushila takes care of their home, raises their girls, manages to complete a doctorate, and becomes a feminist philosopher. The three daughters grow into young women, each navigating school and community during the upheaval of the 1960s. While coming to terms with their parents’ flaws and building relationships and lives, they learn to count on each other through marriage and divorce, children and careers. Sutra Americana (U Wisconsin Press, 2026) is a sweeping and beautiful immigrant saga about identity, memory, forgiveness, and love.
Wednesday, Oct. 7—Over in the blink of an eye, the best flash fiction lingers long after we finish reading it. The incandescent works collected in Library of America’s American Flash Fiction: An Anthology showcase the vitality of this literary form with a rich history and dazzling present. Join celebrated flash authors Lynne Tillman, Venita Blackburn, and Ben Loory, along with volume editor David L. Ulin, for a dive into these miniature masterpieces of deceptive depth and power.
In this NBN episode, host Hollay Ghadery speaks with Christine Fischer Guy about her novel, The Instrument Must Not Matter (Wolsak & Wynn, 2026).