Feeling Like a Fraud Doesn’t Make You One, Says Photographer Emiliano Zúñiga Hernández

I'm joined again by Zahra Ciardi, a registered psychologist and the founder of Ascendant Bali, for a second conversation about the psychology behind photography and creativity. We talk about what happens when a photographer's identity becomes fused with their work, and why that turns making, editing, sharing and feedback into a constant threat. We also talk about how to hold a sense of self that is clear but flexible. Zahra explains the difference between creating from the wound and creating ...

This is a Q&A with questions sent in by photographers from my community. I answer whether your audience needs to understand your photography, if a project shot in a few days can have real depth, how to deal with perfectionism, the small steps behind my own work that nobody saw, and what to do when your work feels stagnant. If your photography feels stuck or you can’t say what it’s about, some of these answers might help. Message me, leave a comment and join in the conversation! Sup...

THIS IS PART 2 OF A 2 PART CONVERSATION WITH MATTHEW GENITEMPO. In Part 2 of my conversation with photographer and publisher Matthew Genitempo, we go deep into his photobooks Mother of Dogs and Dogbreath, and into Trespasser, the small press he runs with Bryan Schutmaat and Cody Haltom. We talk about making Mother of Dogs on lockdown walks, why its pages are held together with packing tape, and the 3 smashed pennies on the cover. Then we turn to Dogbreath: photographing teenagers in the heat,...

THIS IS PART 1 OF A 2 PART CONVERSATION WITH MATTHEW GENITEMPO. I sat down with photographer Matthew Genitempo, the graphic designer turned photographer and publisher behind the photobooks Jasper, Mother of Dogs and Dogbreath. In part one we go deep into Jasper, the photobook he made largely in the forests of the Ozarks as his MFA thesis at the University of Hartford: the critique that told him to stay in one place, the Frank Stanford poems that shaped how he saw the landscape, the men who ...

I sat down with Andrea Modica, the ‘Italian Story’ photographer (as well many other books) who has made every photograph since 1980 with an 8x10 view camera and prints all her work herself. Andrea studied with Richard Benson at Yale, teaches photography at Drexel University, and has just published ‘Italian Story’ with L'Artiere, 40 personal years of large format photographs made in and about Italy. We talked about what makes a good photograph and why complexity matters more than beauty,...