Sam Mendes' four-film Beatles cinematic event: Beatle wives and other casting discussion
The Beatles Films PodcastShow Notes
Time for some wild speculation, now we've got a lot of the Beatle wives and fifth Beatle candidates' casting confirmed. We look in particular at Saoirse Ronan as Linda McCartney, and discuss the film Foe, in which she and Paul Mescal played a couple living in an isolated setting. A bit like Paul McCartney and Linda's Scottish farmhouse exile? We've been watching lots of films featuring the cast too, and we look at what their performances suggest they'll bring to these roles. Does the casting of high-profile actors to play wives and Beatle family members suggest big roles for them, and does this in turn suggest these films will have a focus on the band's home lives, and how fame affected them?
We'll do our best to cite all the films we've mentioned. For Mescal and Ronan, watch Foe on Prime Video: https://www.amazon.co.uk/FOE-Saoirse-Ronan/dp/B0C9G86K94 To make sure we've got it right: Ronan was nominated for the Academy Award for Best Actress in a Supporting Role in 2008, and for Best Actress in a Leading Role three times: 2016, 2018 and 2020 The other Mescal films: Hamnet and The History of Sound, both out in UK cinemas in January 2026 Mescal talking about stepping back from public view while the Beatles films are in production: https://www.theguardian.com/film/2026/jan/02/i-dont-want-to-resent-the-thing-i-love-paul-mescal-and-josh-oconnor-on-romance-rationing-and-retirement You can and should buy and rent Harris Dickinson's Urchin in lots of places: https://www.justwatch.com/uk/movie/urchin Other Dickinsongs: Where the Crawdads Sing, Blitz, Babygirl Joseph Quinn in Hoard: https://www.justwatch.com/uk/movie/hoard Stranger Things, featuring Quinn from season four: https://www.netflix.com/title/80057281 The trailer for Andrea Arnold's wonderful Bird, with Barry Keoghan: https://www.youtube.com/watch?v=2y0iJkT97Jc More Keoghanicals: Dunkirk, Bring Them Down, The Batman Mia McKenna-Bruce stars in Seven Dials on Netflix: https://www.netflix.com/title/81314952 And in How to Have Sex: https://www.youtube.com/watch?v=EWmF8KpxxmA The films' entry on the FDA website, that currently suggests they'll all be released on 7 April 2028, but as we say is likely to change: https://filmdistributorsassociation.com/release-schedule/past-present-and-future-releases/?filmSearch=beatles
Meet the Beatles Films Podcast
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
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More from The Beatles Films Podcast
More chasing and more studied pointlessness as we head into the film's final scenes. We look at the Buster Keaton influence on the escalating police chase scenes, and ask whether Ringo is actually back where he belongs when he rejoins the group, given that there's been no narrative resolution of his earlier discontent. We look at the filming and editing techniques of the concert scene, and have a look at John's final words for Grandfather.
(Ringo's Theme.) We get on to Ringo Starr's real introduction to the world as an actor, when everyone thought "Hey, he's not bad at this, is he?" In particular he does a great job with Wilfred Brambell in the canteen, convincing us he's slowly becoming persuaded to leave the group. We spend some time parading with Ringo, looking at his interactions with the boy and in the pub.
Part 4 takes in three of the film's key solo spots: John Lennon's scene with Anna Quayle, George Harrison in the teen TV show office, and Paul McCartney fronting the Beatles' performance of And I Love Her.
From the hotel to the TV studio. We see the Beatles at a press event, which revisits one of the film's themes: that Beatlemania persists with or without the Beatles themselves. We get into more class dynamics between Ringo Starr and the sound engineer ("Aren't you being rather arbitrary?") and John Lennon's delivery of If I Fell gets us into discussing whether he could sing love songs straightforwardly without undercutting them with a joke, something which Paul McCartney didn't struggle with.
Part 2 covers roughly the next 12 minutes of Richard Lester's film. We look at the absurdist downplayed reaction to finding an intruder in your hotel room cupboard, and the generational disconnect in how comfortable the Beatles seem in the nightclub, vs how grandfather can only fit in at the casino by pretending to be someone else. Plus! The class dynamics in Ringo Starr's jump-dancing with a posh fellow clubgoer, and some more magic realism in John Lennon's bathtub scene.