Show Notes
As you know by now, Steely Dan's core identity is the songwriting and performative partnership of Fagen & Becker. And with the group's dissolution in the early 1980s, the partners would occasionally step out on their own and create art under their own name. With Becker abandoning the continent and seeking sobriety and a general life reset after Gaucho, it was left to Fagen to make the first solo record of the creative partnership.
The Nightfly came out in 1982, and it sounds...VERY MUCH like a Steely Dan album. Even with Becker gone, much of the machinery that made Gaucho was still in action, from the involvement of the engineering and producer staffs to the roster of ace session musicians. Add in Fagen's vocals and the expected intelligence of the lyrics, and many critics viewed The Nightfly as the natural progression of the Steely Dan creative spirit --- to the point that many critics immediately assumed that Fagen had done all the heavy lifting for Steely Dan and that Becker's contributions must have been comparatively minimal.
But scratch the surface of The Nightfly and you'll notice something that rarely shined through on prior Steely Dan albums --- emotions of hope, wonder, wistfulness, and playfulness. It might have sounded similar but the sentiment was very different in spots. It's lovely, it's meticulous, and it's one of the best albums of the early 1980s, but it's not the automatic carryover from Gaucho that many assumed at the time.
More from Cosmic America
Galen is back with more track talk, as we induct several new songs into the CrimsonCast Music Companion playlist on Spotify, including: In The Meantime by Spacehog Take Me Out by Franz Ferdinand Impossible Weight by Deep Sea Diver Lake Superior by The Arcs Walk Away by James Gang Dripfield by Goose Kilby Girl by The Backseat Lovers The Bend by Real Estate
A soft relaunch of Cosmic America, as Galen talks through four new additions to the CrimsonCast Music Companion, which you can follow on Spotify.
Cosmic America is back for a limited time! Galen Clavio invites Jeremy Gray on the podcast for a look back at the 1980s in music, as both of us give our Top 20 songs from the decade. In classic Cosmic America fashion, we listen to the songs all the way through while we break them down, talking through what made each of the picks special to us, as well as what they represented in pop culture and music culture at the time. Through 96 minutes of discussion, we cover everything from Prince to Phil Collins, A-Ha to the Psychedelic Furs, Guns n Roses to Michael Jackson, Tears for Fears to Def Leppard. There are some difficult omissions, and some surprise inclusions. Let us know what your own personal top 20 lists for the 1980s look like!
Our last review in the Steely Dan catalogue finds us in 2003, as we evaluate "Everything Must Go". There are some good moments, for sure! But there's also some questions. While Two Against Nature succeeded modernizing both the jazz sound and the lyrical inspirations of the classic Steely Dan formula, Everything Must Go comes up a bit short in both. It's absolutely not a bad album, but it ends up being a bit disappointing --- especially since it's the last album in the official canon. And while we'd go on to get some more solo albums and band tours, this ends up being the end of the road for the Dan's recording career.
After the surprise live show reunion of the mid-1990s, it felt like only a matter of time before Steely Dan were reconstituted as a studio act. And while it would take until 2000 for that to actually come to fruition, the result ended up being...pretty good, all things considered!