Show Notes
Hey Everyone! We need to talk about failure. Not in a "dust yourself off and try again" motivational poster kind of way. Really talk about it. Because so many of us — especially as dancers — have spent years quietly believing that every mistake we make says something about who we are. A wobbled pirouette, a bad audition, a class where nothing went right. And instead of letting it go, we become it. This episode is about untangling that. Failure is not your identity. It is information. It is redirection. It is, honestly, one of the most powerful tools you have — but only if you stop running from it and start getting curious about it. In this episode we're talking about: 🎙️ Why we attach our sense of self worth to our mistakes — and how to stop 🎙️ The difference between having a bad experience and being a failure 🎙️ How embracing mistakes (rather than burying them) is what separates dancers who grow from dancers who plateau 🎙️ Practical ways to reframe failure in the moment — on and off the dance floor 🎙️ Why the most successful, most celebrated artists in the world have failure woven all the way through their story Because here's the truth — the mistake doesn't define you. What you do with it does. Whether you're a dancer, a student, a creative, or just a human being navigating life, this one is for you. Pull up a chair. Let's get into it. ✨ EXPLORE MORE WITH ISABELLA 🌐 Website — balletwithisabella.com 📩 Join the mailing list — mailchi.mp/balletwithisabella/isabella 📸 Instagram — @balletwithisabella 💫 Want to train properly from home? Everything is inside the Ballet With Isabella membership — classes, courses, corrections and more. Join us → balletwithisabella.com
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Hello Everyone! What does it mean to dance not just for yourself, but for an entire community?In this episode of A Dancer's Mindset, Isabella sits down with Chun Wai Chan — Principal Dancer at New York City Ballet and a true trailblazer. In 2022, Chan made history by becoming the first Chinese principal dancer in NYCB's 74-year history, and since then, his perspective on what it means to perform has evolved into something far greater than the stage itself.
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