Show Notes
ANOTHER new Beatles film. It's almost as if the runaway (for which read: very underwhelming) success of a podcast on the subject has led to a surfeit of new releases.
And underwhelming is the key word here: yes, Peter Bradshaw can somehow write a five-star review in the Guardian without once mentioning whether the actual film is good or bad, but for those of us at the coalface of Beatles films appraisal it's a bit more nuanced. What is the film actually trying to say? How much work have Paul McCartney and Ringo Starr put into this official Apple release? Fair enough, they're in their eighties, but still. And does the mention of Martin Scorsese suggest more prestige than the film actually delivers?
You can watch Beatles '64 on Disney+: https://www.disneyplus.com/movies/beatles-64/mxZO6yBpYWOq Watch the trailer: https://youtu.be/XLzMtQJnH8k See Paul's Instagram story which was definitely shot on the same day he did his interview for this film: https://www.instagram.com/reel/C6gxsThsAOV/ Leonard Bernstein talking about the Beatles in the 1967 documentary Inside Pop: The Rock Revolution: https://youtu.be/v32U0mjGz6g Elaine Kim's cover of All My Loving, as used in the film: https://www.youtube.com/watch?v=mrFx2LZB7D4
Meet the Beatles Films Podcast
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on: Twitter https://twitter.com/beatlesfilmpod Facebook https://www.facebook.com/groups/304654901827622/ Instagram https://instagram.com/beatlesfilmspod YouTube https://www.youtube.com/@BeatlesFilmsPodcast Go to https://www.beatlesfilmspod.com/podcast-episodes for full notes on each episode, with links to watch the films where available. Hosted on Acast. See acast.com/privacy for more information.
More from The Beatles Films Podcast
More chasing and more studied pointlessness as we head into the film's final scenes. We look at the Buster Keaton influence on the escalating police chase scenes, and ask whether Ringo is actually back where he belongs when he rejoins the group, given that there's been no narrative resolution of his earlier discontent. We look at the filming and editing techniques of the concert scene, and have a look at John's final words for Grandfather.
(Ringo's Theme.) We get on to Ringo Starr's real introduction to the world as an actor, when everyone thought "Hey, he's not bad at this, is he?" In particular he does a great job with Wilfred Brambell in the canteen, convincing us he's slowly becoming persuaded to leave the group. We spend some time parading with Ringo, looking at his interactions with the boy and in the pub.
Part 4 takes in three of the film's key solo spots: John Lennon's scene with Anna Quayle, George Harrison in the teen TV show office, and Paul McCartney fronting the Beatles' performance of And I Love Her.
From the hotel to the TV studio. We see the Beatles at a press event, which revisits one of the film's themes: that Beatlemania persists with or without the Beatles themselves. We get into more class dynamics between Ringo Starr and the sound engineer ("Aren't you being rather arbitrary?") and John Lennon's delivery of If I Fell gets us into discussing whether he could sing love songs straightforwardly without undercutting them with a joke, something which Paul McCartney didn't struggle with.
Part 2 covers roughly the next 12 minutes of Richard Lester's film. We look at the absurdist downplayed reaction to finding an intruder in your hotel room cupboard, and the generational disconnect in how comfortable the Beatles seem in the nightclub, vs how grandfather can only fit in at the casino by pretending to be someone else. Plus! The class dynamics in Ringo Starr's jump-dancing with a posh fellow clubgoer, and some more magic realism in John Lennon's bathtub scene.