
Show Notes
In the second episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist Megan Nolan to discuss Illusions by Ruth Rehmann, in a new translation by Rob Madole, the latest title in the Faber Editions imprint.
First published in Germany in 1959 and lost to English-language readers for decades, the novel follows four employees of a vast West German corporation across a single weekend. Cinematic, fragmented, and seductively modernist, it is at once an intimate and hypnotic portrait of four inner lives and an incisive state-of-the-nation novel about West Germany's postwar "economic miracle" - and the illusions that sustain it.
Our conversation covers Rehmann's place in the influential German postwar literary movement Gruppe 47, the novel's debts to and divergences from Virginia Woolf's Mrs Dalloway and James Joyce's Ulysses, the way that the war haunts a generation trying to forget it, the mischievous omniscient window cleaner who watches over the story, and what it means for a woman writer to be faulted, as contemporary reviewers said of Rehmann, for "an excess of contemporaneity."
Buy Illusions UK: https://www.faber.co.uk/product/9780571396580-illusions-faber-editions/ Rest of World: https://www.shakespeareandcompany.com/books/illusions-faber-editions
Megan Nolan's novels Acts of Desperation and Ordinary Human Failings are also available from Shakespeare and Company, and your local independent bookstore.
Sign up to Faber's Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author. https://tr.ee/DsDYp5
Books & Authors Discussed
The Tin Drum — Günter Grass Mrs Dalloway — Virginia Woolf Ulysses — James Joyce The Forged Coupon — Leo Tolstoy Perfection — Vincenzo Latronico American Psycho — Bret Easton Ellis Acts of Desperation — Megan Nolan Ordinary Human Failings — Megan Nolan
Films/TV Shows Discussed
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles — dir. Chantal Akerman Playtime — dir. Jacques Tati The White Ribbon — dir. Michael Haneke Frozen Land — dir. Aku Louhimies
Bios
Megan Nolan is an Irish writer based in New York. Her most recent novel is Ordinary Human Failings (Little, Brown and Company, 2024), chosen as one of the best books of the year by The Guardian, The Times, and Sunday Times. It was shortlisted for the Orwell Prize for Political Fiction, the Nero Prize for Fiction, The Gordon Burn Prize, The Royal Society of Literature Encore Award, and longlisted for the Women's Prize. Her debut novel, Acts of Desperation (Little, Brown and Company, 2021) was an international bestseller, and was chosen as a best book of the year by Time. Nolan was also among The Observer’s Best Debut Novelists of 2021.
Ella Griffiths is Faber's Head of Classics & Heritage
Adam Biles is Literary Director at Shakespeare and Company
Listen to Alex Freiman Spotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cg Insta: @alex.guitarfreiman
Hosted on Acast. See acast.com/privacy for more information.
More from The Shakespeare and Company Interview
Jeanette Winterson joined us to celebrate the French edition of One Aladdin, Two Lamps, her book-length exploration of storytelling, built around One Thousand and One Nights. She recalls finding Shahrazad in her hometown library and the insight this led her to: that she could read herself as fiction as well as fact, and so rewrite her own story. The conversation moves from Freud, epigenetics and the plasticity of the brain to Manchester's Industrial Revolution and the lessons we failed to learn from it. Winterson traces AI from Ada Lovelace to Turing to today's tech moguls, making a case for cautious optimism and for calling it "alternative intelligence." She also argues for being present in the world, and looking at art without a phone.
“Childhood is once again a resource to be extracted at any cost.”
Dave Eggers joins us to discuss his 14th novel, Contrapposto, a six-decade love story between childhood friends Cricket and Olympia, illustrated with his own drawings. Eggers traces the book's twenty-year gestation, the moment Olympia's character unlocked its structure, and why he gave Cricket his own boyhood fantasy of being "apprenticed" as a young artist. The conversation ranges widely: the decline of art-school access and the pier-side art collective he's launched in San Francisco; his literacy nonprofit 826 Valencia and its typewriter-obsessed students; and a candid, sometimes fiery take on AI's effect on writing, translation, and education, including an anecdote from his visit to OpenAI's offices.
Amit Chaudhuri joins Adam Biles to discuss his new novel Chateau Rouge, set not in the postcard Paris of Hemingway and Midnight in Paris, but in the neighbourhood around Gare du Nord — a Paris that resists being known, curated, or confirmed. Chaudhuri talks about writing against the "already known" city, drawing on Roland Barthes and the idea of "heritage modernity" to explain why he wanted to deconstruct Paris's status as a museum-piece rather than a lived-in place. He discusses his narrator's disorientation on arrival, the subtle presence of race and visibility in the book, and how global events — the Gilets Jaunes, the Notre Dame fire — pass through the novel as lived, unfinished moments rather than history. The conversation turns, too, to marriage: how a decades-old, unread copy of A Moveable Feast, gifted by his wife, becomes a quiet emotional throughline.
M. John Harrison returns to the Shakespeare and Company Podcast to talk with Adam Biles about his new novel, The End of Everything, a disaster story set in a "wrong UK" where societal collapse coincides with the arrival of an alien presence, and the strange shape-shifting "artefacts" it leaves behind.