
Show Notes
This week, we dive deeper into the role of the fourth estate, as we discuss Network, the Oscar-winning film that was meant to be a wild satire at the time it was released, but ended up uncannily predicting the future. Some additional reading material: Mad As Hell, Dave Itzkoff's book about Network Directors' Guild of America post about Sidney Lumet at a 2003 screening of Network Vanity Fair article on the legacy of Network (which includes thoughts from Aaron Sorkin)
Learn about your ad choices: dovetail.prx.org/ad-choices
More from The West Wing Weekly
You’ve said you’d listen to us talk about anything, and today we test this thesis. We touch on pigs, contractions, James Bond, and offscreen butts. And we still find time to discuss Russian mercenaries, a sudden death, and onscreen butt. For more info and to discuss the episode, visit thewestwingweekly.com/thediplomat-104.
We’re joined by director Andrew Bernstein to discuss his work on this episode (as well as his work on The West Wing)—and that fight scene between Kate and Hal! For more info and to discuss the episode, visit thewestwingweekly.com/thediplomat-103.
We’re digging into the dynamics of Kate & Hal, Eidra & Stuart, the breathless pace of the show, and its “no good guys” worldview. Josh has an important PSA about drugs. For more info and to discuss the episode, visit thewestwingweekly.com/thediplomat-102.
Our discussion of The Diplomat begins at the beginning with the creator of the series, Debora Cahn, who tells us about the show's origin story. For more info and to discuss the episode, visit thewestwingweekly.com/thediplomat-101.
We’re very excited to announce a new series here on The West Wing Weekly, discussing the Netflix hit political thriller The Diplomat, episode by episode. Coming soon!