The Late Set

Encounter, Not Discovery, with Nduduzo Makhathini

The Late Set

Show Notes

The Myth We Chose, the entrancing new album by South African pianist Nduduzo Makhathini, foregrounds hope and healing, and a conviction in the redemptive power of connection. It’s a song-forward statement for Makhathini, who is also a composer, vocalist, philosopher, and ambassador for the Global South.

This summer, he brought his trio to Solar Myth ahead of an appearance at the Newport Jazz Festival. On the first of two nights, he joined Josh Jackson for an onstage conversation about ritual, responsibility, and why he prefers the term “encounter” to “discovery” when describing a person’s formative contact with improvised music.

Chapters

00:00 — Intro: South African jazz

05:00 — Zulu language, myth & musicality

11:30 — Music education, colonialism & Indigenous knowledge

15:30 — Growing up during apartheid

21:00 — Encountering John Coltrane & the roots of jazz

23:30 — The identity and sound of South African jazz

28:45 — Collective memory & the African diaspora

35:15 — Myth, ancestral memory & sonic creation

38:15 — Ndu cosmology, time & musical continuity

41:00 — Artificial intelligence, knowledge & human experience

45:15 — Nate and Josh on music, healing & ancestral knowledge

49:30 — “This I Dig”

53:15 — South African music, cultural boycotts & current debates

56:15 — Closing credits

Want to support The Late Set? Become a WRTI member: wrti.org/donate

Follow us on Instagram: instagram.com/wrtimusic

Subscribe to our YouTube: youtube.com/@WRTImusic

Write us an email: [email protected]

More from The Late Set

Oct 9, 2026

A bonus drop celebrating our two Signal Awards nominations! Vote for The Late Set in two categories:

Sep 15, 2026

John Coltrane’s centennial has brought a flurry of tributes and testimonials, along with archival discoveries. At WRTI, we’re gearing up for “A Love Park Supreme,” a weeklong celebration in the city that Coltrane called home. And here at The Late Set, we’re doing what we do best: digging into an enlightened conversation.

Sep 1, 2026

Jazz radio has never had a better friend than Rhonda Hamilton. During a broadcasting career spanning nearly 50 years, she’s brought the music to a worldwide audience with her trademark warmth, integrity and composure.

Aug 18, 2026

When SML dropped its 2024 debut, the group’s admixture of loopy groove, staticky texture and shifting timbre came on like a transmission from the outer reaches. Behind the music was a method: rangy collective improv whittled down to size, based on a trove of live tape.

Aug 4, 2026

The gayageum is a plucked Korean zither with a history that stretches to the sixth century. Its first and finest exponent in avant-garde jazz is DoYeon Kim, whose spellbinding debut, Wellspring, reveals a fiercely original voice (in more than one sense). Before a recent show presented by Ars Nova Workshop and the Doris Duke Foundation, Kim joined us to talk about tradition, translation, and the power of self-expression. She even graced us with a solo improvisation on her instrument, which has fast become a vital part of the experimental scene.

See all episodes →