Show Notes
This episode is Truly unique. I’m welcoming back an early guest (episode #3) and a new guest because they are in the same band. Welcome back Robert Roth and welcome for the first time, Hiro Yamamoto. Truly is a band everyone should know. Not only is the pedigree amazing, they write the music to back it up and have for 35 years. Robert and Hiro talk about their musical backgrounds; Robert with Storybook Krooks & Hiro with Soundgarden, They both talk about the state of flux in the Seattle music scene in 1989. Robert talks about almost joining Nirvana and Hiro discusses his departure from Soundgarden. But they met through mutual friend and Truly drummer, Mark Pickerel. The band has gone through almost every trial and tribulation imaginable and they are more excited than ever about touring and recording new music. Hiro’s also a 2x Hall of Fame inductee. There are so many stories packed into this episode. Follow Truly @truly_band on Instagram or go to trulyband.com for more information, music, & merch. Speaking of merch, get ours at performanceanx.threadless.com or just send money at ko-fi.com/performanceanxiety. I hope you’re as excited as I was for Truly on Performance Anxiety on the Pantheon Podcast Network.
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More from Performance Anxiety
This guest is one I’ve wanted to have on for a while. I’ve been a fan for about 20 years but I had always been nervous about approaching him for one specific reason. It’s a sensitive topic that will be obvious when you listen. But after seeing him open up about it on his own YouTube videos, I reached out. And I’m so glad I did. Please welcome Harley Di Nardo to the show. He’s a modern renaissance man, being a musician, film maker, and hair stylist.
Today’s guest has just reissued a hidden gem. Welcome Matt Devine. Matt has played with a lot of previous guests of this podcast. And after listening to his bands Permanent Green Light and Ventilator, I know why. He talks about how he got into music and the bands he loved growing up. He talks about starting his own bands and keeping the expectations low. After Permanent Green Light formed and dissolved, he focused on the music he had been writing for himself in his apartment. That music became Ventilator’s first album, Reseda Spleen. Reseda Spleen was released in 1996 and I am amazed that it seems to have slipped through the cracks. And it turns out that Reseda Spleen isn’t the only lost classic he’s played on. He also appears on Paul D’Amour’s post-Tool band, Feersum Ennjin. Matt talks about his post Ventilator career and how Reseda Spleen came to be reissued on Bar None Records. The digital release even comes with a couple of bonus tracks. Matt talks about what it’s like going back and listening to songs he wrote 30 years ago. But with this reissue, more people will be hearing it for the first time! So grab your vinyl from bar-none.com. Follow the band on Instagram @ventilatorofficial for some exclusive pictures and videos. Follow us @PerformanceAnx. Merch is available at performanceanx.threadless.com. Send coffee funds to ko-fi.com/performanceanxiety. I hope you enjoy Matt Devine & Ventilator as much as I have on Performance Anxiety on the Pantheon Podcast Network.
Today’s guest is a very interesting artist. I’m pleased to present Wesley Stace, aka John Wesley Harding. He’s just released a new album called One Last Heist and it’s wonderful. Wesley has always been an artist who follows his instincts and they’re currently pulling him into a jazzy stage. But he was gracious enough to step back in time with me and discuss his career, starting even before his debut album, a daring solo, live, acoustic disc called It Happened One Night. It turns out, his plans were NOT to become a musician. But when he did, he chose a pseudonym instead of using his given name. We talk about that and how his style has evolved over the decades. His latest albums are being released under his given name and he reveals why that is. He talks about writing novels and the effect that’s had on his lyric writing. We also discuss jazz and food, his band, his philosophy on making music at 60, and if John Wesley Harding might see the light of day again. Give him a follow as Wesley Stace on Facebook, Instagram, and Threads. Grab the album One Last Heist at pravdamusic.com or wesleystace.com. Follow us @PerformanceAnx on Instagram. Check out merch at performanceanx.threadless.com or send coffee money to ko-fi.com/performanceanxiety. And I hope you enjoy the stylings of Wesley Stace on Performance Anxiety on the Pantheon Podcast Network.
Today’s show is a little different. I’m joined by former podcast guest Timothy Reid. He reached out to me about our subject, bassist Tim (T.R.) Miller. He’s an American bass player who lived in Japan for many years. He’s an important, but possibly underappreciated, figure in the Japanese rock scene. Timothy followed his career for a long time and, eventually, met up with him and even played in some bands with him. Tim had issues and had to leave Japan. He agreed to speak with Timothy via phone calls from his halfway house, in order to tell his story. Timothy compiled the calls and asked if he could release Tim’s story through this podcast. I thought it was a great idea! It’s exactly the reason this podcast was created; to tell the stories of artists who are not household names but whose stories are just as important. I hope you enjoy the story of Tim (T.R.) Miller.
Today we’re talking about collaborations. And by we I mean, of course myself, Jordan Zadorozny and Stephen Bluhm. Both Jordon and Stephen have partaken of the fruits of collaboration. Jordon hath tasted the delights on many an occasion whilst Stephen has recently just taken his first bite of the apple of collab.