
Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road
Gig Gab - The Working Musician's PodcastShow Notes
Monitor engineer Kevin “KG” Glendinning joins you live from a Roman amphitheater in Pula, Croatia: eight countries in seven days into the Lorde world tour…and he’s got the receipts. You’ll hear how fifteen trips through the SNL stage started with a Carson Daly taping, why the rooms that treat you well are the rooms you remember, and what happens when a 32-year veteran finally plugs in a source expander and realizes the “new guys” were right. That’s the through-line: always be learning, always be open-minded, and never let a get-off-my-lawn attitude about new tech be the reason your phone stops ringing. Then it gets into the real in-ear monitor conversations: recreating a Celestion cab with a 2.6mm armature, the one-ear trick that quietly costs Adam Levine and John Mayer another 25% of volume, and why ear fatigue deserves the same respect a pitcher gives his arm.
The road stories land hard from there. Super Bowl XLV in Dallas with snow, the Black Eyed Peas, and a lesson in letting the pros run their own show. Red Rocks (aka “Wet Rocks”) and why a mountain full of shuttle trucks is worth every minute. A locked-up console mid-residency and telling Christina Aguilera the audio will come back, all while genuinely hoping it would. A charter plane struck by lightning over the Amazon, an emergency landing at a decommissioned airfield, and waking up to the news about Taylor Hawkins. Plus the covert phone call that became seven years with Justin Timberlake, and the soft ask years earlier that made it happen. Rehearse enough that nerves turn into muscle memory, thank the people who opened doors for you, ask for the gig you want…and Always Be Performing.
00:00:00 Gig Gab 549 – Monday, August 31st, 2026
August 31st: Eat Outside Day
Guest co-host: Kevin Glendinning
00:02:38 Pula, Croatia. 8 countries in 7 days
00:04:36 SNL stage for The Deftones with the Carson Daly show
00:06:20 Making an impression on touring musicians with
00:08:35 Always be learning about the new tech
Learning from the “new” guys
Neve 5045 Primary Source Expander
Waves PSE Plugin
Digico Mustard Source Enhancer
00:13:55 Always be open-minded
00:18:57 Mixing ears and the respect of it all
00:21:02 Chris Rabold mixing monitors for REM
00:22:06 Now some REM stories
00:24:23 Helping get Adam Levine & John Mayer through ear fatigue with one ear monitor
00:26:46 OzFest System Engineers and hearing fatigue
00:27:45 Sometimes it just doesn’t sound right
00:30:44 Super Bowl in 2011 in Dallas…with snow!
And The Black Eyed Peas
00:35:45 Being rehearsed enough to just do the gig (and fix what goes wrong when it goes wrong)
00:36:25 Lorde’s large-and-resilient fanbase
00:39:21 Working Red Rocks..”Wet Rocks”
00:44:33 Christina and the reboot
“Don’t worry…the audio will come back.”
Dave’s issue with the Mackie DL32S losing input signals
00:49:58 Batteries Matter
00:52:31 Miley Cyrus, Taylor Hawkins, Lightning-stuck aircraft, oh my!
00:56:28 Getting paid to see the world
The pros and the cons
00:59:11 The “covert” phone call… and Justin Timberlake
Get to know ML who works for ShowCo
Ask for the gig you want (and, specifically, ask Anthony Giordano)
The Victoria’s Secret Awards!
Watching Muse with Justin
01:06:11 Have gratitude for everyone who you’ve worked with
01:08:14 Kevin wants to answer your questions!
01:09:52 Gig Gab 549 Outtro
Follow Kevin Glendinning
IG: @kev_chitown
LinkedIn: Kevin ‘KG’ Glendinning
Contact Gig Gab!
@GigGabPodcast on Instagram
Sign Up for the Gig Gab Mailing List
The post Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road – Gig Gab 549 appeared first on Gig Gab.
More from Gig Gab - The Working Musician's Podcast
Your fellow working musicians just handed you a year’s worth of gig hacks, and this week Gig Gab pulls the best listener tips from Instagram and Facebook into one episode. You’ll get a hand-raise monitor check that knocks out soundcheck in minutes, a dedicated soundcheck song for when the room’s already full, and the mixing moves pros swear by: high-pass the bass at 80 Hz, sidechain it to the kick, and carve 2.5 kHz out of everything else so the vocals cut through. Then you’ll build a smarter set list. Space out the songs that wreck your singer, keep a back-pocket list of crowd-grabbers, mark who sings lead for the sound person, and track song lengths so you never blow past curfew.
Megan Ihnen and Alan Theisen of Neonautica went from contemporary classical recitals to headlining dubstep parties in New Orleans, and they brought a theater kid’s discipline with them. You’ll hear how they split band duties so nobody has to wonder who’s handling what, why the only correct response to a note is thank you, and why there’s no such thing as a good or bad sound, only the sound you meant to make and the one you didn’t. They also explain why they wrote an hour-long set the way a composer writes a symphony, and what it means to control the room instead of just reading it.
Chris Cron posted what he thought was a one-off video about how to sound like the Beach Boys, set his phone down, and came back to 10,000 views. A few days later it was near a million. A few years later, he’s a touring member of the actual Beach Boys. Chris joins Dave to show you what was underneath that “overnight” success: a full-time session vocalist gig since 2018, years of throwing content at the wall, and the social media lessons that made one video stick: Frame your post as a question, reply to every comment, and treat the haters as fodder for a lesson or a laugh. From there, the path runs through a John Stamos follow, a coffee with the band’s musical director, a one-off Post Malone fill-in, and a phone call you don’t say no to. When the once-in-a-lifetime opportunity shows up, you throw the door open wide.
Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything.
Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble.