
E331 - Parliament-Funkadelic Guitar Hero Michael Hampton - Top 5 Songs from the P-Funk Universe
Only Three Lads - Classic Alternative Music PodcastShow Notes
Climb aboard the mothership...because we wants to funk YOU up!
This week, we celebrate the music of the P-Funk universe - revolving around the nucleus of the George Clinton-led Rock & Roll Hame of Fame bands, Parliament and Funkadelic. Joining us as our Third Lad is none other than "Kidd Funkadelic" himself, P-Funk guitar hero Michael Hampton!
Led by visionary bandleader George Clinton, the wildly influential collective known as Parliament and Funkadelic — together dubbed “P-Funk” — revolutionized funk music in the 1970s by blending deep grooves, psychedelic rock, outrageous sci-fi mythology, and fearless social commentary into a universe all their own. Featuring an ever-evolving cast of legendary musicians including Bootsy Collins, Bernie Worrell, Eddie Hazel, Michael Hampton, and Maceo Parker, P-Funk produced a staggering run of groundbreaking albums and hits that helped shape funk, hip-hop, R&B, rock, and electronic music for generations to come. Equal parts musical movement, cosmic philosophy, and extravagant stage spectacle, P-Funk remains one of the most creative and influential forces in popular music history.
After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”.
Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents.
Among Hampton’s Funkadelic writing credits are group staples like “Who Says a Funk Band Can’t Play Rock?!” and “Funk Gets Stronger”, both released during the group’s late-’70s/early-’80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop’s G-Funk movement—Dr. Dre’s “Let Me Ride” samples Parliament’s “Mothership Connection”, Ice Cube’s “Bop Gun” borrows elements of Funkadelic’s “One Nation Under a Groove”, while De La Soul’s “Me Myself and I”, Digital Underground’s “Kiss You Back”, and Snoop Dogg’s “What’s My Name?” all draw from Funkadelic’s “(Not Just) Knee Deep”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Only Three Lads - Classic Alternative Music Podcast
This week's Third Lad Wesley Stace (aka singer-songwriter John Wesley Harding) had dinner reservations to get to, which meant that we didn't get to play this absurdly fun O3L game with him - "The Dylan Dylemma".
With over 1,500 covers of 350+ compositions by over 600 artists, Bob Dylanis is clearly one of the most frequently covered songwriters in music history. His material has been covered at some point by a wide range of rock, pop, folk, soul, blues, country, and jazz artists. For a folkie from Minnesota inspired by songs learned from Woody Guthrie to a rock legend, he has built a songbook that will surely be passed down as long as there are voices to sing and ears to listen.
Explore the past, present, and future as we welcome the return of one of the most pivotal figures of alternative music, Robyn Hitchcock!
Go ahead. Laugh and point as Brett struggles through pronunciations...because this week, we're taking on the Top 5 German Albums. Diese Alben sind sehr gut!
It's time for another in our series of label spotlights, as this week we turn our focus to Hoboken indie Bar/None Records, celebrating its 40th anniversary. Joining us is no better authority than the most omni-present figure in the label's history, Glenn Morrow! In 1986, Glenn's band Rage to Live became the first act signed to startup label Bar/None. Later that year, Glenn would become a partner with the label's founder Tom Prendergast and eventually sole proprietor - a post he held until earlier this year.