
Show Notes
Welcome back to 36 from the Vault! In Episode 7 we momentarily diverge from our trek through the larger Dick’s Picks series, to chat about the post-Jerry years. Focusing on the larger touch points between Phish & The Dead, we dive into Phish’s 1998 Island Tour, highlighting the April 3, 1998 performance from Nassau Coliseum in Uniondale, NY. A high point for Phish, they’d just reinvented themselves stylistically throughout 1997, and then booked a surprise run of shows just a few weeks prior to dive back into the Eno-inspired atmospheric funk jams they couldn’t get enough of. A true turning point in the band’s larger history, The Island Tour marks the point where the party begins to consume the band, and the darkness that’s lingering will soon consume them. A celebration & an ominous sign of what’s to come, it’s a fascinating moment in their history.
Opening with stellar jams in “Mike’s Song” and “Weekapaug Groove,” the band later focuses on intra-band communication in “Reba.” The second, however, is the highlight of the overall show. Running just four songs, it reads: “Roses Are Free -> Piper -> Loving Cup> Run Like An Antelope.” Particualrly in the “Roses” and “Piper” the band connects with such effortlessness that they sound pre-recorded. In the encore, “Halley’s Comet” leads into the second-ever stateside “Carini” before the rare “Tweezer-less” “Tweezer Reprise” closes the show.
Steven and Rob focus on the energy that guided Phish throughout the 90s, highlighting the decisions that led to their 1997 reinvention, and how this run shifted the band towards their more modern incarnation with all its surprises and challenges. In addition, they discuss the legacy of the thoughtful groove-driven jamming that defined the era.
36 from the Vault is production of Osiris Media. It is edited and produced by Brian Brinkman, and mastered by Matt Dwyer. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee.
Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 7 in anticipation of our next episode on April 15.
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More from 36 From the Vault
On the last bonus episode presented by Smartwool, Rob and Steve’s last “comfort listen” focuses on the new MSG 80s release from the Dead. This episode is presented by Smartwool—check out the limited-edition Smartwool x Grateful Dead collection here. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this bonus episode, we’re on to Rob and Steve’s third “comfort listen,” looking at a Legion of Mary show from 4/19/75. This episode is presented by Smartwool—check out the limited-edition Smartwool x Grateful Dead collection here. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
This bonus episode has Rob and Steve tackling their second “comfort listen,” Goose collaborating with Trey Anastasio from Radio City Music Hall in June 2022. This episode is presented by Smartwool—check out the limited-edition Smartwool x Grateful Dead collection here. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
This bonus episode finds Rob and Steve jumping into the first of four “comfort listens.” In this first installment, they talk about the Phil Lesh & Friends collaboration with Wilco at Sacred Rose Festival from this August 2022. This episode is presented by Smartwool—check out the limited-edition Smartwool x Grateful Dead collection here.
In this week’s episode of 36 From The Vault, we celebrate the Series Finale of Dick’s Picks as well as the Series Finale of 36 From The Vault. Featuring a complete show from Philadelphia, PA on 9/21/72, we also hear segments of 9/3/72 from Boulder, CO. One of the greatest Dick’s Picks of all time, it’s a fitting conclusion to the series and yet another showcase of the brilliance of September 1972. Disc One features the majority of Set One from 9/21/72 which includes a brilliant “Bird Song” as well a stunning take on “Loser.” A loose and vibey “China Cat Sunflower>I Know You Rider” showcases the standards heavy Set I played with exceptional verve. Disc Two straddles Set One and Two from 9/21/71 and is highlighted by an outstanding “Playing In The Band” closer before “He’s Gone>Truckin’” brings us into the second frame. An elongated 4+hr show, the staple of Disc Three is an absolutely incredible “Dark Star>Morning Dew.” Nearly 50min of stunning music, including 35+min of deep 1972 jamming, this is one of the greatest pieces of music released in the entire Dick’s Picks series. Disc Four closes out the Spectrum show before giving us a three song snapshot from Folsom Field with “He’s Gone> The Other One> Wharf Rat.” And with that, we’ve finally reached the end of the Dick’s Picks series. Thank you to everyone who has joined us for this long, strange trip. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. --- We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULT for 20% off your first order Visit Sunset Lake CBD and use promo code VAULT for 20% off your purchase --- Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to join us for our next deep dive, sometime in the not too distant future… Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices