Show Notes
Luca Pitti wanted a palace larger than the Medici's. He got it. Then lost everything — including the palace. In 1458, one of Florence's most powerful bankers commissioned a residence on the other side of the Arno designed to dwarf anything the Medici had ever built. He died before it was finished. His family fell. And in 1549, the palace built to surpass the Medici was purchased by Eleonora de Toledo — wife of Cosimo I de' Medici. What followed were five centuries of accumulation. The Medici expanded it into one of the most sumptuous residences in Europe. The Habsburg-Lorraine kept collecting after them. The kings of unified Italy moved in after that. Each left a layer. Today the Palazzo Pitti houses several museums within its walls — including a gallery where the paintings still hang exactly as the Medici placed them, floor to ceiling, without the chronological logic of modern museums. Not a museum's interpretation of the Medici. The Medici's own interpretation of themselves. This is the story of the palace that began as an act of rivalry and ended up belonging to everyone. — Florence: The City That Changed the World is a series about the city that invented the Renaissance, financed Europe, and left a legacy still present in everything you see, think, and use every day. Don't forget to subscribe, thank you for listening, and if you'd like to support or contribute to the project, reach out through Instagram.
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There's a story everyone tells about him: a master saw his student's angel, dropped his brush, and never painted again. It's a great story. It's also probably not true.
He arrived in Florence at twenty-one, an outsider from a small city, carrying nothing but a letter asking the head of the government to be kind to him. Leonardo da Vinci was already a legend. Michelangelo had just unveiled the David. There didn't seem to be room for a third genius in the room. Raphael made room. In four years, he absorbed everything Florence had to teach, Leonardo's shadow, Michelangelo's muscle, a full century of tradition, and turned it into something that belonged entirely to him. Then Rome called, and in twelve unbelievable years he redefined what a papal commission, a Madonna, and a portrait could be, all while quietly out-manoeuvring a rival who spied on him, sabotaged him by proxy, and still got painted into his most famous fresco as a tribute. He died on his own birthday, at thirty-seven, with his last unfinished masterpiece propped up beside his body. Rome had never mourned anyone like this before. This is the story of the most likeable genius the Renaissance ever produced, and the four Florentine years nobody remembers when they say his name. - Florence: The City That Changed the World is a series about the city that invented the Renaissance, financed Europe, and left a legacy still present in everything you see, think, and use every day. If you want access to exclusive episodes, subscribe to Aedo Patrons on Apple Podcasts. Thank you for listening, and until next time.
He painted the most reproduced image in art history, and spent his final years convinced it was a sin. Sandro Botticelli went from painting the hanged bodies of traitors on a government wall to painting a goddess rising from the sea, sometimes for the same family. The Birth of Venus and the Primavera made him the most celebrated painter in Florence, full of pagan gods, secret botany, and neoplatonic philosophy disguised as myth. Then a fanatical friar took over the city, his own brother became one of the friar's closest followers, and Botticelli, in a decline historians still don't fully understand, was denounced for a capital crime and forgotten within his own lifetime. It took the Pre-Raphaelites nearly three hundred years to dig him back out. This is the story of the man behind the world's most famous painting of beauty, and the doubt that may have convinced him it was never worth painting at all. - Florence: The City That Changed the World is a series about the city that invented the Renaissance, financed Europe, and left a legacy still present in everything you see, think, and use every day. If you want access to exclusive episodes, subscribe to Aedo Patrons on Apple Podcasts. Thank you for listening, and until next time.
He signed only one work in his entire career, a marble Pietà finished at twenty-four. He spent forty years on a tomb that shrank from a monument with dozens of statues down to a single wall panel. He was forced onto his back for four years to paint a ceiling he never wanted to paint, in a job he took only because a Pope refused to take no for an answer.
Everyone has heard the name. Almost no one stops long enough to actually learn the story behind it. Donatello never had the fame Michelangelo, Leonardo and the generation that came after him would go on to enjoy, and it never seems to have bothered him. What he had was something rarer: the recognition of Cosimo de' Medici, the most powerful man in Florence, who understood exactly what he was looking at, the foundation on which everything else in Florentine art would be built. This is the story of the man who came first, who never needed to be the most celebrated name in the room to be the most essential one in it. - Florence: The City That Changed the World is a series about the city that invented the Renaissance, financed Europe, and left a legacy still present in everything you see, think, and use every day. If you want access to exclusive episodes, subscribe to Aedo Patrons on Apple Podcasts. Thank you for listening, and until next time.