Show Notes
Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognised for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as "voracious" and "exhilarating". Her performances stretch, transform, and sculpt sound by manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. Her shows are highly gestural, exploring the ephemeral and fragile relationships between sounds, spaces, and audiences. Over nearly two decades, she has developed and honed her live electronics improvisation system, an instrument that allows her to playfully navigate between the realms of responsiveness and unpredictability in both her solo performances and numerous collaborations.
Jacob Heart PhD analysis of Lauren’s code FLucoma Greg Lewis/Greg Jackson – Kill The Cop in Your Head Maggie Nelson On Freedom Eric Clark Ways of Listening Achille Mbembe
Lauren’s website Embrace Mini Savior Opt. Compilation from Hard Return Hosted on Acast. See acast.com/privacy for more information.
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Alexandra Spence is a sound artist and musician living on unceded Wangal land in Sydney, Australia. Through her practice Alex attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours field recordings, analogue technologies and object interventions.
Raymond MacDonald is a saxophonist, composer and academic whose work explores the boundaries and ambiguities between what is conventionally seen as improvisation and composition. Much of his recent performing work has been in collaborative free improvisation contexts, however his roots in jazz and pop music are always evident in his playing and writing. MacDonald collaborates widely and has worked with visual artists, dancers, writers and filmmakers and has produced music for film, television, theatre and the concert hall.
Linda O'Keeffe is a sound artist based in New York. She holds a professorship in art at Stony Brook University, New York. A passionate advocate for the role of women in the sonic arts, she founded the Women in Sound Women on Sound (WISWOS) organisation. Additionally, she served as the Editor-in-Chief of the Interference Journal, a publication dedicated to audio cultures, from 2012 to 2022. In 2009, she co-founded the Irish Sound Science and Technology Association, leading as its President from 2015 to 2017.
Marcin Pietruszewski is a composer and researcher. He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.
France Jobin is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe, Australia, Japan and South Korea. Since 2009, her focus has been related to Quantum mechanics. Many of her projects are inspired by theories related to topics such as vacuum decay, string theory and more recently, what she feels to be the most perplexing phenomenon in the world of the quantum , entanglement resulting in a first presentation, Entanglement A/V, with visual artist Markus Heckmann, which delves into the realms of quantum physics premiered at Mutek Mtl 2021.