Show Notes
Matisse and Derain showed their work at the Salon de Automne in 1905, and at that salon, a critic Louis Vauxcelles was walking around looking at all the works when he saw a renaissance sculpture surrounded by the modern works of Matisse, Derain and their friends. Vaucelles was heard to remark “Donatello au milieu de fauves” meaning “Donatello among the wild beasts” Like the Impressionists, the fauvists took the term a critic used to insult their work and transformed it’s meaning. They were considered to be wild because of their bold use of color. The fauvist style is a sort of extension of the post-impressionist movement further flattening the images, making things more abstract with bolder colors and more expressive, painterly styling. If you want to learn more about Matisse, check out Who ARTEd Art Smart is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.ArtSmartPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Art Smart
This week's episode is about block printing. For the history segment, I talked a bit about Katsushika Hokusai, a Japanese woodblock printer in the 19th century, and I interviewed Speedball Art Products to learn about modern materials and methods. To learn more about Speedball, check out their website: https://www.speedballart.com/
This week's episode is about photography. While numerous scientists were conducting experiments with light sensitive materials as early as the 18th century, it was Daguerre in the middle of the 19th century who really advanced the medium. He wasn't the first photographer, but he innovated coming up with a practical method and sharing it with the world so others could build off his process and improve it further. Daguerre was also among the first to recognize photography as an art form and not just a science. In the early days, photographs would require long exposure times. As a result moving subjects couldn't be caught on film, but in 1838, Daguerre pointed his camera to the street outside his window. A man was having his boots polished and just happened to stand still long enough so that he and the person polishing his boots would become the first people captured in a photo. This week my guest was Matt Stoeffel from Kodak. He shared tremendous insights into how black and white as well as color film worked, and how our digital cameras process images.
In this episode, I share a little bit of the history of how film developed with early pioneers of motion pictures. For my interview, I spoke with Stefanie Hubbard, an independent film producer and owner of Pure Magic Pictures. Check out Pure Magic Pictures:
There are all sorts of different papers out there from standard construction paper to fine art papers. Learn a little bit of history how paper was developed centuries ago, how different papers are made today and what to look for in selecting the right papers for your art.
Andy Warhol famously said that he wanted to be like a machine producing artworks in his factory studio. The irony is of course he played with colors and exposures, leaning in to the imperfections of an over exposed image or printing without perfectly aligning his screens. He put a human touch into the mechanical process elevating pop culture subjects to the realm of fine art. In this episode, I spoke with Melissa Sorenson from Speedball Art Materials to learn how screen printing works. She shared some insights into how the materials are produced and how we can make the most of them in our studios. To learn more about Speedball, check out their website: https://www.speedballart.com/