Show Notes
It’s September of 1984. And Deirdre is head over heels for a fast-rising quartet from Athens, Georgia called R.E.M. In just a few years, the band’s music will be inescapable on commercial and college radio alike — and their massive success will mark a turning point for the American musical underground.
“There were moments when R.E.M., my former band, were hugely popular,” says ex-singer Michael Stipe. “And we were able to really push the boundaries of what's acceptable within mainstream culture. KCRW and Deirdre and ‘SNAP!’ were doing the same thing.”
Stipe was a close friend of Deirdre’s, and of the countless bands who passed through their orbit. He gave Concrete Blonde their name; produced Vic Chesnutt’s first two albums; and introduced Deirdre to Hugo Largo, which led to their signing with Brian Eno’s record label. In this episode, Stipe reflects on his life in LA in the mid-’80s, at a time when he and Deirdre were kindred spirits.
More from Lost Notes: Groupies
As the first wave of LA punk started to take hold in Hollywood, both on and off the Sunset Strip, the girls of the rock n roll underground flattened scene hierarchy by carrying the torch of the sexually charged, “I do what I want” spirit exemplified by the most notorious Hollywood groupies–in creative and unexpected ways. Then, Lori, Morgana, Dee Dee, and Pamela look back on their rock'n'roll lives, and consider their own personal mythologies.
In the mid 1970s, as glam rock fizzled out, new kids began to trickle in on the block–kids who looked up to the groupies as party girl icons, as rock’n’roll legends, who went out there and got what they wanted…come hell or high platforms. Kid Congo Powers, Alice Bag, Pleasant Gehman, and Theresa Kereakas all were pulled towards the glitter and guitars and debauchery, and give their first-hand teenage accounts of those crucial years where glam burnt out and in its embers, early LA punk started cooking.
Hello Lost Notes fans! The final two episodes of Groupies: Women of the Sunset Strip from the Pill to Punk are coming later this week. But first, we want to share an episode of the podcast Dressed: The History of Fashion. Mary Wilson is a founding member of one of the most iconic, successful—and stylish— 1960s singing groups of all time: The Supremes. Mary has been collecting and archiving the gowns the Supremes wore and shares many of the glittery details with Dressed.
Rodney Bingenheimer’s English Disco. The Continental Hyatt House. The Rainbow Bar & Grill. Glam rock was the genre du jour and there was no more convenient or welcoming a circuit for an intrepid teenage groupie to land in than the Strip in the early 1970s. As for Led Zeppelin, LA became their spiritual home-away-from-home (read: wives). From flying in on their private jet, the Starship, to cruising down Sunset picking up groupies in their white stretch limo, the Slutmobile, Led Zeppelin’s superstardom marked a new era, and level, to groupiedom.
A teen magazine so daring, so outrageous, so scandalizing and sexually suggestive that it only lasted…five issues. Star Magazine: from the publishing empire that brought you Hot Rod, Motor Trend, Guns & Ammo, and later in the 90s, Sassy, there was, in 1973, a red-hot new music rag that glamorized the teenage groupie lifestyle rampant on the Sunset Strip. Or did it? We asked the original staff who made the magazine: who, exactly, was a Star girl?