
Show Notes
With Chris away on holiday, Digby Taylor, MD of GunsOnPegs steps into his shoes to share the results of the 2025 Game Shooting and Shoot Owner Census. He reveals how the cost of shooting has changed over the last few years, how buying habits have evolved and provides some fascinating stats on the environment and habitat work carried out by shoots each year.
Taking inspiration from the Census, the chaps join forces to put together their dream shooting line, made up of characters living, dead and even fictional.
More from The GunsOnPegs Podcast
George and Chris return to Kitchen W8 in Kensington for the second part of their conversation with Michelin-starred chef Mark Kempson, this time to discover what makes wild ingredients so special and appealing for chefs, why more professional chefs aren't cooking game, and whether our traditional approach to cooking game birds is due for a rethink.
George and Chris visit Kitchen W8 in Kensington to record with Executive Chef Mark Kempson, winner of Game Chef of the Year in 2024 and 2025. Oh, and the restaurant has a Michelin star too.
Diggory Hadoke returns for a dive into vintage guns: how an air rifle, an eccentric primary school teacher and a childhood spent taking old farm guns apart led to a life as a gun dealer, writer, archivist and vintage gun expert. We ask what makes a gun “vintage” rather than simply old, and whether the best sporting guns were effectively perfected before the Second World War. The conversation then turns to steel, bismuth, proof marks and whether vintage guns are still worth owning in the non-toxic era.
Diggory Hadoke joins George and Chris to answer three listener dilemmas about the unwritten rules of shooting: what does it mean if you're invited to “have a go” on a family shoot, and is there a correct way to issue an invitation? What do you do when a dream loading trip clashes with your significant other's significant birthday? And do we have a duty to speak up if we see something on a shoot day that feels wrong?
D'Arcy Wyvill's family have owned the Constable Burton estate for centuries, so he's better placed than many to offer a view on why the shooting community (and the countryside in general) value tradition and heritage so very much, and what makes a shoot a place rather than an event.